The Reluctant Film Art of Woody Allen by Peter J. Bailey
Authors: Peter J. Bailey
Tags: General, Biography & Autobiography, Literary Criticism, American, Entertainment & Performing Arts, Performing Arts, Film & Video, Literary Collections, History & Criticism
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p. 47.
Schickel, Richard. “Postscript to the ‘80s” (review of Crimes and Misdemeanors). Time (October 16, 1989), p. 82.
——. “Just Funny Isn’t Enough” (review of Manhattan Murder Mystery) Time (August 23,1993), p. 67.
——. “Now Playing at the Jewel” (review of Purple Rose of Cairo). Time (March 4, 1985),p. 78.
——. “Dream Machine” (review of Radio Days). Time (February 2, 1987), p. 73.
——. “Return to Weimar” (review of Shadows and Fog). Time (March 23, 1992), p. 65.
——. “They Sorta Got Rhythm” (review of Everyone Says I Love You). Time (December 9,1996), p. 81.
——. “The Wages of Fame” (review of Celebrity). Time (November 16, 1998).
——. “Woody Allen Comes of Age.” Time (April 30, 1979), pp. 62–65.
Schneller, Johanna. “Woody Allen.” US 229 (February 1997), pp. 46–50, 114.
Schwarzbaum, Lisa. Review of Sweet and Lowdown. EW Online (December 3, 1999).
——. “Woody Sings!” (review of Everyone Says I Love You). Entertainment Weekly (December 20, 1996), p. 74.
Shales, Tom. “Woody Allen: The First 50 Years.” Esquire (April, 1987), p. 88–95.
Shechner, Mark. “Jewish Writers.” Harvard Guide to Contemporary American Writing . Cambridge, Massachusetts: Harvard University Press, 1979, pp. 191–239.
——. “Woody Allen and the Failure of the Therapeutic.” From Hester Street to Hollywood, ed. Sarah Blacher Cohen. Bloomington: Indiana University Press, 1983, pp. 231–44.
Shelley, Percy Bysshe. The Selected Prose and Poetry of Percy Bysshe Shelley ed. Carlos Baker. New York: Modern Library, 1951.
Siegal, Mark. “Ozymandias Melancholia: The Nature of Parody in Woody Allen’s Stardust Memories” Literature/Film Quarterly 13, 2 (1985), pp. 76–83,
Sinyard, Neil. The Films of Woody Allen . New York: Exeter Books, 1987.
Stevens, Wallace. “The Idea of Order at Key West.” The Collected Poems ofWallace Stevens . New York: Alfred K. Knopf, 1954.
Steuer, Joseph. “Woody Allen: A Celebrity in Spite of Himself.” Indie (September/October 1998), pp. 14–15, 38–39.
Sunshine, Linda. The Illustrated Woody Allen Reader . New York: Knopf, 1993.
Taubin, Amy. “Sean Penns High Wire Act” (review of Sweet and Lowdown). The Village Voice (December 1–7, 1999), 89.
Travers, Peter. “Everything Old is New Again” (review of Everyone Says I Love You). Rolling Stone (February 20, 1997), p. 96.
Trilling, Lionel. “Reality in America.” The Liberal Imagination . New York: Charles Scribner’s Sons, 1976.
Turan, Kenneth. “Beyond the Gossip, Now the Movie” (review of Husbands and Wives). Los Angeles Times (September 18, 1992), F, p. 1.
Tutt, Ralph. “Truth, Beauty and Travesty”: Woody Allen’s Well-Wrought Urn.” Literature/Film Quarterly 19/2 (1991), pp. 104–8.
Updike, John. “More Love in the Western World” (review of Love Declaired by Denis de Rougemont). Assorted Prose . New York: Knopf, 1965.
——. “Van Loves Ada, Ada Loves Van.” Picked-Up Pieces . New York: Alfred A. Knopf, 1975, pp. 199–210.
Welsh, James M. Review of Manhattan Murder Mystery. Films in Review (November/December, 1993), p. 413.
Wernblad, Annette. Brooklyn Is Not Expanding: Woody Allen’s Comic Universe . Rutherford, New Jersey: Fairleigh Dickinson University Press, 1992.
Wilde, Alan. Horizons of Assent: Modernism, Postmodernism and the Ironic Imagination . Baltimore: Johns Hopkins Univ. Press, 1981.
Whitfield, Stephen J. “Laughter in the Dark: Notes on American-Jewish Humor.” Critical Essays on Philip Roth, ed. Sanford Pinsker. Boston: G.K. Hall, 1982.
Williams, Tennessee. The Glass Menagerie . New York: New Directions, 1966.
Wood, Michael. “A Kind of Slither” (review of The Unruly Life of Woody Allen by Marion Meade). London Review of Books (27 April 2000), 3.
Woolf, Virginia. To the Lighthouse . New York: Harcourt Brace Jovanovich, 1955.
Yacowar, Maurice. Loser Take All: The Comic Art of Woody Allen . New York: Frederic Unger, 1979.
Yalom, Irwin. When
Schickel, Richard. “Postscript to the ‘80s” (review of Crimes and Misdemeanors). Time (October 16, 1989), p. 82.
——. “Just Funny Isn’t Enough” (review of Manhattan Murder Mystery) Time (August 23,1993), p. 67.
——. “Now Playing at the Jewel” (review of Purple Rose of Cairo). Time (March 4, 1985),p. 78.
——. “Dream Machine” (review of Radio Days). Time (February 2, 1987), p. 73.
——. “Return to Weimar” (review of Shadows and Fog). Time (March 23, 1992), p. 65.
——. “They Sorta Got Rhythm” (review of Everyone Says I Love You). Time (December 9,1996), p. 81.
——. “The Wages of Fame” (review of Celebrity). Time (November 16, 1998).
——. “Woody Allen Comes of Age.” Time (April 30, 1979), pp. 62–65.
Schneller, Johanna. “Woody Allen.” US 229 (February 1997), pp. 46–50, 114.
Schwarzbaum, Lisa. Review of Sweet and Lowdown. EW Online (December 3, 1999).
——. “Woody Sings!” (review of Everyone Says I Love You). Entertainment Weekly (December 20, 1996), p. 74.
Shales, Tom. “Woody Allen: The First 50 Years.” Esquire (April, 1987), p. 88–95.
Shechner, Mark. “Jewish Writers.” Harvard Guide to Contemporary American Writing . Cambridge, Massachusetts: Harvard University Press, 1979, pp. 191–239.
——. “Woody Allen and the Failure of the Therapeutic.” From Hester Street to Hollywood, ed. Sarah Blacher Cohen. Bloomington: Indiana University Press, 1983, pp. 231–44.
Shelley, Percy Bysshe. The Selected Prose and Poetry of Percy Bysshe Shelley ed. Carlos Baker. New York: Modern Library, 1951.
Siegal, Mark. “Ozymandias Melancholia: The Nature of Parody in Woody Allen’s Stardust Memories” Literature/Film Quarterly 13, 2 (1985), pp. 76–83,
Sinyard, Neil. The Films of Woody Allen . New York: Exeter Books, 1987.
Stevens, Wallace. “The Idea of Order at Key West.” The Collected Poems ofWallace Stevens . New York: Alfred K. Knopf, 1954.
Steuer, Joseph. “Woody Allen: A Celebrity in Spite of Himself.” Indie (September/October 1998), pp. 14–15, 38–39.
Sunshine, Linda. The Illustrated Woody Allen Reader . New York: Knopf, 1993.
Taubin, Amy. “Sean Penns High Wire Act” (review of Sweet and Lowdown). The Village Voice (December 1–7, 1999), 89.
Travers, Peter. “Everything Old is New Again” (review of Everyone Says I Love You). Rolling Stone (February 20, 1997), p. 96.
Trilling, Lionel. “Reality in America.” The Liberal Imagination . New York: Charles Scribner’s Sons, 1976.
Turan, Kenneth. “Beyond the Gossip, Now the Movie” (review of Husbands and Wives). Los Angeles Times (September 18, 1992), F, p. 1.
Tutt, Ralph. “Truth, Beauty and Travesty”: Woody Allen’s Well-Wrought Urn.” Literature/Film Quarterly 19/2 (1991), pp. 104–8.
Updike, John. “More Love in the Western World” (review of Love Declaired by Denis de Rougemont). Assorted Prose . New York: Knopf, 1965.
——. “Van Loves Ada, Ada Loves Van.” Picked-Up Pieces . New York: Alfred A. Knopf, 1975, pp. 199–210.
Welsh, James M. Review of Manhattan Murder Mystery. Films in Review (November/December, 1993), p. 413.
Wernblad, Annette. Brooklyn Is Not Expanding: Woody Allen’s Comic Universe . Rutherford, New Jersey: Fairleigh Dickinson University Press, 1992.
Wilde, Alan. Horizons of Assent: Modernism, Postmodernism and the Ironic Imagination . Baltimore: Johns Hopkins Univ. Press, 1981.
Whitfield, Stephen J. “Laughter in the Dark: Notes on American-Jewish Humor.” Critical Essays on Philip Roth, ed. Sanford Pinsker. Boston: G.K. Hall, 1982.
Williams, Tennessee. The Glass Menagerie . New York: New Directions, 1966.
Wood, Michael. “A Kind of Slither” (review of The Unruly Life of Woody Allen by Marion Meade). London Review of Books (27 April 2000), 3.
Woolf, Virginia. To the Lighthouse . New York: Harcourt Brace Jovanovich, 1955.
Yacowar, Maurice. Loser Take All: The Comic Art of Woody Allen . New York: Frederic Unger, 1979.
Yalom, Irwin. When
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