The Ragged Edge of the World

The Ragged Edge of the World by Eugene Linden

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Authors: Eugene Linden
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which the simple satisfactions of life on a small island—family, fishing, feasts and music—are sufficient.
    The cruel twist of Tahiti is that a constrained worldview is not just sufficient for life on a tropical island; it is also necessary for long-term contentment. And, as I was to discover many years later, the consequences of a Westerner’s inability to accept the boundaries of island life could be far more ugly than Pacific paralysis.
    During that first trip I did meet one man who managed to pull off the trick of living in a place where nothing matters. Ed Ehrich, a potbellied gray-haired American expatriate, was in his late sixties in 1971. When I met him, he lived with his Tahitian vahine in a self-designed meld of airy Polynesian and Cape Cod styles on a point in the Papara district, then quite a ways removed from the bustle of Papeete. After dropping out of the Yale class of 1927, Ehrich had lived in Greenwich Village for a year (where he roomed with a young vaudevillian named Archie Leach, later to gain fame as Cary Grant) before taking up a short career in broadcasting. He eventually realized that he didn’t have any particular ambitions and did not want to work that hard, so in 1950 he set off for the one place that he imagined would suit him.
    â€œAll that’s necessary for an American to be happy in Tahiti,” he told me in 1971, “is that he be preternaturally lazy.” Apparently Ehrich had strolled that walk for two decades, professing to have done nothing other than build a place to live, tend his garden, and read. The reading helped maintain his wry pedantry. Ehrich told me that a few years before my visit a Yale undergraduate had dug his name out of an alumni register and had contacted him in the hopes of securing an invitation to come visit. (Apparently Jeff Stookey and I were part of a long line of Yalies who had a thing for the South Seas.) In his letter the young man wrote, “I’ve always had a certain amount of fascination for the South Pacific,” to which Ehrich promptly replied that his grammar suggested that the South Pacific had always been fascinated with him, and Ehrich doubted that this was the case. What a comedown Ehrich’s reply must have been for the hapless undergrads whose dreams of escape were probably fired by the hope of escaping precisely this kind of nitpicking.
    Among the American expatriates, Ehrich was famously hermetic. One very social hostess remarked to me with unintended irony, “I just don’t understand why Ed doesn’t come into town. Some people come to Tahiti and just cut themselves off.” But what worked for Ehrich didn’t work for most Americans, who couldn’t suppress their characteristic restless knee syndrome. They started businesses, built hotels, took on hobbies, or became drunks—sometimes all of the above.
    One American I ran into, Jean Jacques Laurent, had his own solution to dealing with the confines of the island. To break what he called “the monotony of the climate,” he would go off on expeditions each year to collect artifacts from Polynesia and Melanesia. His Tahitian-style thatch-roofed fare was festooned with totems, charms, masks, shields and skulls. The gods must have found it a very confusing place. When I joined him for dinner one night, he recalled a bartering trip in New Guinea during which he had pointed to a weathered old mask in the corner of a tent and asked in pidgin, “How much?” The mask turned out to be the chief’s very much living grandmother, and the chief promptly offered to sell her to Laurent for $20.
    When Ed Ehrich first arrived in Tahiti, horses and buggies plied the streets of Papeete. By 1971 that Tahiti no longer existed, though after I got over the shock of traffic jams in Papeete, it was possible to see if not partake in the naïve ebullience of the place. I spent the first few days in the Hotel Stuart, a dump back then, but a

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