off.â
âIâll stand, thanks, if itâs all the same to you. Just tell me what you know.â
âYou thought you had a nightmare. In fact you did have a nightmare. You imagined that you were in some shabby apartment in Cleveland Flats, although you probably didnât know that it was Cleveland Flats. You found a woman lying in your bed. She was begging you for help. She told you that she tried to stop her killer but he was too strong for her. She was seriously mutilated. In fact she was sawn in half, and Iâm sure that you were very frightened.â
âFrightened?â said Katie. âI was absolutely terrified, if you want to know the truth. But if it was only a nightmare, how come it was all so totally real? I saw it, I felt it. I talked to the woman on the bed. I could even smell it, for Christâs sake. How often can you smell something youâre only dreaming about?â
âNot often, Iâll admit,â the young man told her. âBut it was closer to being a memory than a nightmare â somebody elseâs memory. You happened to stay in Room Seven-One-Seven and the very walls of that room are a witness to what happened, even though it didnât actually happen there.â
âYouâve completely lost me. Iâm sorry.â
âItâs not too difficult to understand. Sometime in the mid-nineteen-thirties, a man called Gordon Veitch broke into this womanâs apartment in Cleveland Flats. He raped her and butchered her, as you saw for yourself. Shortly afterward, he checked in at the Griffin House Hotel, and dreamed about what he had done to her, in every little detail. His dream was absorbed by the walls of his hotel room, not unlike movie footage being developed on to celluloid.
âWhen the police eventually went to the womanâs apartment to find out what had happened to her, they could find no sign of her, and no evidence at all of how she died. No body, no blood, no fingerprints, no hair, no fibers, no semen, nothing. Every trace of what he did there had been taken away in Gordon Veitchâs dream, or nightmare if you prefer to call it that, as if it never happened.
âBesides, Cleveland Flats was a really rundown area, and the police were not going to devote hours of valuable time trying to find some drug-addicted whore. The whole investigation was filed away under missing persons and Gordon Veitch went free. But his dream of what he did remains, right until today, imprinted on the walls of Room Seven-One-Seven.â
âI still donât get it,â said Katie. âHow can you take physical evidence away from one place and move it someplace else? Just by dreaming about it?â
She was still suspicious that this young man was playing an elaborate practical joke on her. But how did he know everything that she had seen in her nightmare? She hadnât even told Detective Wisocky what the woman had said to her â about her attacker being too strong.
The young man said, âItâs like a magicianâs trick, in a way. You know how a magician can make you believe that somebody disappears from one cabinet and reappears in another cabinet on the other side of the stage? Some Dreads can do that with dreams. This Dread, in particular.â
âBut how come I had a nightmare about this woman? If she was murdered as long ago as nineteen-thirty-something, surely everybody else whoâs ever slept in that room would have had the same experience? Or some of them, at least.â
âNo, they wouldnât. They couldnât , not like you. Maybe one or two of them might have heard whispers, or seen shadowy outlines, or simply had the feeling that there was somebody else in the room with them when there patently wasnât. But you , Katie, youâre uniquely sensitive, and thatâs why you saw it.â
âGo on,â said Katie, although she still felt highly suspicious.
âYou donât know
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