The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins

The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins by Anna Lowenhaupt Tsing

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Authors: Anna Lowenhaupt Tsing
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followed goat trails and examined flowers. She explained what everything was and how people used it. It was just the kind of curiosity Tanaka-san wanted to nurture in his town’s children. Multispecies living depends on it.
    Without stories of progress, the world has become a terrifying place. The ruin glares at us with the horror of its abandonment. It’s not easy to know how to make a life, much less avert planetary destruction. Luckily there is still company, human and not human. We can still explore the overgrown verges of our blasted landscapes—the edges of capitalist discipline, scalability, and abandoned resource plantations. We can still catch the scent of the latent commons—and the elusive autumn aroma.

Elusive life, Oregon. Remembering Leke Nakashimura. Leke worked to keep matsutake memory alive by encouraging old and young to follow him into the forest, lookingfor mushrooms.
    Spore Trail
    The Further Adventures of a Mushroom
    O NE OF THE STRANGEST PROJECTS OF PRIVATIZATION and commodification in the early twentieth-first century has been the movement to commoditize scholarship. Two versions have been surprisingly powerful. In Europe, administrators demand assessment exercises that reduce the work of scholars to a number, a sum total for a life of intellectual exchange. In the United States, scholars are asked to become entrepreneurs, producing ourselves as brands and seeking stardom from the very first days of our studies, when we know nothing. Both projects seem to me bizarre—and suffocating. By privatizing what is necessarily collaborative work, these projects aim to strangle the life out of scholarship.
    Anyone who cares about ideas is forced, then, to create scenes that exceed or escape “professionalization,” that is, the surveillance techniques of privatization. This means designing research that requires playgroups and collaborative clusters: not congeries of individuals calculating costs and benefits, but rather scholarship that emerges through its collaborations. Thinking through mushrooms, once again, can help.
    What if we imagined intellectual life as a peasant woodland, a source of many useful products emerging in unintentional design? The image calls up its opposites: In assessment exercises, intellectual life is a plantation; in scholarly entrepreneurship, intellectual life is pure theft, the private appropriation of communal products. Neither is appealing. Consider, instead, the pleasures of the woodland. There are many useful products there, from berries and mushrooms to firewood, wild vegetables, medicinal herbs, and even timber. A forager can chose what to gather and can make use of the woodland’s patches of unexpected bounty. But the woodland requires continuing work, not to make it a garden but rather to keep it open and available for an array of species. Human coppicing, grazing, and fire maintain this architecture; other species gather to make it their own. For intellectual work, this seems just right. Work in common creates the possibilities of particular feats of individual scholarship. To encourage the unknown potential of scholarly advances—like the unexpected bounty of a nest of mushrooms—requires sustaining the common work of the intellectual woodland.
    In this spirit, the Matsutake Worlds Research Group—the group that made my matsutake research possible—has tried to build playful collaborations into our individual and collective work. This has not been simple; pressures to privatize worm their way into every scholar’s life. The tempo of collaboration is necessarily sporadic. But we have coppiced and burned, and our common intellectual woodland flourishes.
    This means, too, that the intellectual equivalents of forest products have become available to each of us as gatherers. This book is just one harvest of those products. It is not the last: a woodland draws us again and again to its shifting treasures. If there is one mushroom, might there yet be more? This book

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