forward constructing fantasies, shaping her mother’s story out of common objects, daydreaming her features in shadows of leaves and shapes of clouds.
Delphine was sure, for instance, though Roy had never verified her theory, that the objects in her own tiny closet of a room once belonged to Minnie. The lacquer bureau, the picture of a wave crashing on a rock. Her prize was a wooden box. In it, she kept a small, white stone wrapped in the end of a ripped muslin scarf. Sometimes, when longing gripped her, she opened the cigar box, which still gave off a sweet and fleeting aroma of tobacco and cedar. Ceremoniously, often in the late afternoon when sun slanted through the western window of her tiny room, Delphine wound the scarf around her wrist and put the white stone in her mouth. She lay there sucking on the stone, memorizing its blunt edges with her tongue, wrapping and unwrapping the scarf from her wrist in a white haze of comfort.
When she was twelve years old, she put the stone back in the box and simply quit the habit. She replaced it with a more grown-up awareness of what she’d missed. Watching other girls with their mothers sometimes made her head swim, her neck ache, but she’d borne it. She had always been too stubborn and shy to approach an older woman—a teacher, the mother of a friend—with her need. But it had been there all along, sometimes buried, sometimes urgent, especially in times of difficulty. Now, as Delphine drove the car into town, she was glad that in their desperate struggle with the smell she and Cyprian hadn’t burned down the house, because she missed the photographs of her mother that Roy kept stashed in the top drawer of the black lacquer bureau. She wanted to look at them, to sit with the familiar mystery.She was afflicted with a sudden and almost physical need to open the cigar box, too, and remove the white stone. She stared ahead at the road and wished an old, pure, useless wish:
that just once, for a moment, she’d had the gift of a clear look at her mother’s face. It was in that fit of longing to see the face of her mother, then, that Delphine entered Waldvogel’s Meats, and met Eva Waldvogel.
FIVE
The Butcher’s Wife
T HE FIRST MEETING of their minds was over lard. Delphine was a faceless customer standing in the entryway of Waldvogel’s Meats, breathing the odor of fir sawdust, coriander, pepper, and apple-wood-smoked pork, a rich odor, clean and bloody and delicious. She walked forward eagerly and put her strong fingers on the counter.
“One quarter pound of bacon. I’m going to fry some fish in the grease.”
“What kind of fish?” asked Eva pleasantly. Her accent was heavy, but she didn’t stumble over words. She always started conversations with new customers, and this young woman, though familiar, was neither a regular customer nor an acquaintance. She stood behind the shining display cooler filled with every mood of red—twenty or thirty cuts of meat, summer sausage, liver sausage, beer sausage, veal, blood, Swedish, Italian and smoked pepper sausage, glistening hearts and liverand pale calf thymus, sweetbreads, as well as a great box of the delicately spiced, unsmoked, boiled wieners for which people stood in line on the days Fidelis made them fresh.
“Don’t know yet,” said Delphine. “They’re still swimming in the river.” She immediately recognized the woman behind the counter as the same woman who’d won the race in the dirt lot two days before. She felt familiar with her, and spoke with more assurance than she might have otherwise. “One strip is for bait. Then I figure that if we don’t catch the fish, we at least eat the rest of the bacon.”
“This plan is wise,” said Eva, weighing out the best pieces of lean bacon. With a new customer, she was always very careful with quality, and gave a small present as an enticement to return.
“Try this lard,” she insisted. “For fish, it is good. Very cheap and to save it you let the
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