The Man in the Tree

The Man in the Tree by Damon Knight Page A

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nordic underworld.

In a bookstore he found a copy of Sigmund Freud's "Totem and Taboo,"

and his world was turned around. He discovered that religion was the

delusion of people afraid to face the fact that they must die. The

universe became a vast indifference, not a screen with God's baleful

eye peering through it. When he saw people coming out of a church,

he looked at them with amused contempt.

In December he saw an ad for a private detective agency in a

newspaper: "Confidential, reasonable rates." He wrote to

them, paid the deposit they required, and six weeks later

received a letter on their stationery.

Dear Sir:

Our operative went to Dog River, Oregon on January

13, 1958 as per your request and consulted the current

telephone directory for the names Cooley, Tom or

Thomas, Anderson, Donald R. and Anderson, Mildred.

No listings were found for these names; however, listings

were found for Cooley, Ernest, Anderson, B. Walter,

Anderson, Billy, Anderson, D.W., Andersen, Sylvia,

and Andersen, Olaf.

Consulting previous telephone directories at the public

library, no listings were found for Cooley, Tom or

Thomas, or Anderson, Donald R. later than the year

1955.

The operative then proceeded to the Dog River Post

Office and inquired as to Donald R. Anderson. The

postmaster informed him that said Donald R. Anderson

and wife Mildred moved to Chehalis, Washington in

1955. The operative also inquired as to the present

whereabouts of Thomas Cooley,,and was informed that

said Cooley left the state in 1957 and his whereabouts

were unknown.

The operative then contacted the pastor of the Riverside

Church, Rev. Floyd Metcalfe Williams, who stated that

Mr. and Mrs. Donald R. Anderson were members of his

congregation from 1940-1955, when they moved to

Chehalis, Washington, and further stated that he believed

said Mr. and Mrs. Anderson lost their lives in a fire in

1956. The operative then proceeded to Chehalis, Washington

and confirmed...

Gene put the letter down. There were two more paragraphs: " . . . house

fire of undetermined origin . . . bill for services enclosed . . . your

esteemed favor . . . "

He remembered, as if it were something he had read in a book, the house in

Dog River and the yard around it, the smells of crushed grass and earth,

the cracked sidewalk, his father's tired face, his mother setting the

table. He remembered himself in that house, the wrong size, the wrong

age, and yet it was not himself, it was a boy who did not exist anymore,

who had died and been reborn outside the tree house in the woods. All

those bright pictures belonged to another life; they were gone now;

it didn't matter.

That night he dreamed about his parents, but it was not a true dream like

the one he had had in the tree house; his mother and father were in some

dark piaee and they were trying to talk to him, to tell him something,

but when their lips moved there was no sound.

He had other dreams in which Paul Cooley was alive, although he was dead

at the same time, in the way that opposites often existed together in

dreams; Paul was confronting him with his bulging eyes and slobbery lip,

saying, "You pushed me out the window!" And Gene was trying to explain

that he really hadn't, or hadn't meant to, and all the time he knew he was

lying. Then sometimes he woke up, and sometimes he drifted down from the

window and touched Paul's body with his hands; and then Paul was alive,

and he rose and walked away. And for some reason, these were the most

terrible dreams of all.

One day, in a gallery on Fifth Avenue, he saw an astonishing thing -- a

quasi-human figure made up of blocky forms that seemed to be melting from

crystals of metal into metal flesh. The face was a mask, the limbs bulged

like an insect's. It was dark bronze, about fourteen inches high. It

stood in a dancer's posture, speaking of power under intense control.

The card on the pedestal said, "Hierophant, Manuel Avila."

"How

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