go see Dr. Hambleton, retired (and how) optometrist from El Centro, and meet again the new style in neckwear. And I don’t tell the cops. I just frisk the customer’s toupee and put on an act. Why? Who am I cutting my throat for this time? A blonde with sexy eyes and too many door keys? A girl from Manhattan, Kansas? I don’t know. All I know is that something isn’t what it seems and the old tired but always reliable hunch tells me that if the hand is played the way it is dealt the wrong person is going to lose the pot. Is that my business? Well, what is my business? Do I know? Did I ever know? Let’s not go into that. You’re not human tonight, Marlowe. Maybe I never was or ever will be. Maybe I’m an ectoplasm with a private license. Maybe we all get like this in the cold half-lit world where always the wrong thing happens and never the right.
Malibu. More movie stars. More pink and blue bathtubs. More tufted beds. More Chanel No. 5. More Lincoln Continentals and Cadillacs. More wind-blown hair and sunglasses and attitudes and pseudo-refined voices and waterfront morals. Now, wait a minute. Lots of nice people work in pictures. You’ve got the wrong attitude, Marlowe. You’re not human tonight.
I smelled Los Angeles before I got to it. It smelled stale and old like a living room that had been closed too long. But the colored lights fooled you. The lights were wonderful. There ought to be a monument to the man who invented neon lights. Fifteen stories high, solid marble. There’s a boy who really made something out of nothing.
So I went to a picture show and it had to have Mavis Weld in it. One of those glass-and-chromium deals where everybody smiled too much and talked too much and knew it. The women were always going up a long curving staircase to change their clothes. The men were always taking monogrammed cigarettes out of expensive cases and snapping expensive lighters at each other. And the help was round-shouldered from carrying trays with drinks across the terrace to a swimming pool about the size of Lake Huron but a lot neater.
The leading man was an amiable ham with a lot of charm, some of it turning a little yellow at the edges. The star was a bad-tempered brunette with contemptuous eyes and a couple of bad close-ups that showed her pushing forty-five backwards almost hard enough to break a wrist. Mavis Weld played second lead and she played it with wraps on. She was good, but she could have been ten times better. But if she had been ten times better half her scenes would have been yanked out to protect the star. It was as neat a bit of tightrope walking as I ever saw. Well it wouldn’t be a tightrope she’d be walking from now on. It would be a piano wire. It would be very high. And there wouldn’t be any net under it.
14
I had a reason for going back to the office. A special delivery letter with an orange claim check ought to have arrived there by now. Most of the windows were dark in the building, but not all. People work nights in other businesses than mine. The elevator man said “Howdy” from the depths of his throat and trundled me up. The corridor had lighted open doors where the scrubwomen were still cleaning up the debris of the wasted hours. I turned a corner past the slobbery hum of a vacuum cleaner, let myself into my dark office and opened the windows. I sat there at the desk doing nothing, not even thinking. No special-delivery letter. All the noise of the building, except the vacuum cleaner, seemed to have flowed out into the street and lost itself among the turning wheels of innumerable cars. Then somewhere along the hall outside a man started whistling “Lili Marlene” with elegance and virtuosity. I knew who that was. The night man checking office doors. I switched the desk lamp on and he passed without trying mine. His steps went away, then came back with a different sound, more of a shuffle. The buzzer sounded in the other office which was still unlocked. That would
Malibu. More movie stars. More pink and blue bathtubs. More tufted beds. More Chanel No. 5. More Lincoln Continentals and Cadillacs. More wind-blown hair and sunglasses and attitudes and pseudo-refined voices and waterfront morals. Now, wait a minute. Lots of nice people work in pictures. You’ve got the wrong attitude, Marlowe. You’re not human tonight.
I smelled Los Angeles before I got to it. It smelled stale and old like a living room that had been closed too long. But the colored lights fooled you. The lights were wonderful. There ought to be a monument to the man who invented neon lights. Fifteen stories high, solid marble. There’s a boy who really made something out of nothing.
So I went to a picture show and it had to have Mavis Weld in it. One of those glass-and-chromium deals where everybody smiled too much and talked too much and knew it. The women were always going up a long curving staircase to change their clothes. The men were always taking monogrammed cigarettes out of expensive cases and snapping expensive lighters at each other. And the help was round-shouldered from carrying trays with drinks across the terrace to a swimming pool about the size of Lake Huron but a lot neater.
The leading man was an amiable ham with a lot of charm, some of it turning a little yellow at the edges. The star was a bad-tempered brunette with contemptuous eyes and a couple of bad close-ups that showed her pushing forty-five backwards almost hard enough to break a wrist. Mavis Weld played second lead and she played it with wraps on. She was good, but she could have been ten times better. But if she had been ten times better half her scenes would have been yanked out to protect the star. It was as neat a bit of tightrope walking as I ever saw. Well it wouldn’t be a tightrope she’d be walking from now on. It would be a piano wire. It would be very high. And there wouldn’t be any net under it.
14
I had a reason for going back to the office. A special delivery letter with an orange claim check ought to have arrived there by now. Most of the windows were dark in the building, but not all. People work nights in other businesses than mine. The elevator man said “Howdy” from the depths of his throat and trundled me up. The corridor had lighted open doors where the scrubwomen were still cleaning up the debris of the wasted hours. I turned a corner past the slobbery hum of a vacuum cleaner, let myself into my dark office and opened the windows. I sat there at the desk doing nothing, not even thinking. No special-delivery letter. All the noise of the building, except the vacuum cleaner, seemed to have flowed out into the street and lost itself among the turning wheels of innumerable cars. Then somewhere along the hall outside a man started whistling “Lili Marlene” with elegance and virtuosity. I knew who that was. The night man checking office doors. I switched the desk lamp on and he passed without trying mine. His steps went away, then came back with a different sound, more of a shuffle. The buzzer sounded in the other office which was still unlocked. That would
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