The Japanese Lover

The Japanese Lover by Isabel Allende

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Authors: Isabel Allende
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plant life of other latitudes on a steep hillside exposed to fog and wind. As they began the process of turning this crazy dream into reality, Isaac Belasco and Takao Fukuda established a respectful relationship. Together they read the catalogs, selected and ordered the trees and plants from other continents, which arrived wrapped in damp sacks with the original soil still sticking to their roots; together they pored over the instruction manual and assembled the glass greenhouse shipped piece by piece from London like a jigsaw puzzle; and together they kept this eclectic Garden of Eden alive.
    Isaac’s lack of interest in social life and the majority of his family affairs, which he delegated entirely to Lillian, was compensated for by an unbridled passion for botany. He neither smoked nor drank, and did not succumb to any known vices or irresistible temptations; he was wholly unable to appreciate either fine music or fine cuisine, and if Lillian had allowed it, he would have dined on the same coarse bread and poor man’s soup eaten by the unemployed, standing up in the kitchen. A man like him was immune to corruption and vanity. Instead, he showed great intellectual curiosity, a passion for defending his clients with artful legal subterfuges, and a secret weakness for helping the needy. But none of these pleasures could compare to that of gardening. A third of his library was dedicated to botany. His ceremonious friendship with Takao, based on a mutual admiration and respect for nature, became fundamental to his peace of mind, an essential balm for his frustrations with the law. In his garden, Isaac became the humble apprentice of his Japanese master, who revealed secrets of the vegetable kingdom to him that his botanical treatises so often failed to clarify. Lillian adored her husband and looked after him with a young lover’s care, but she never desired him so much as when she caught sight of him from her balcony, working side by side with the gardener. In his overalls, boots, and straw hat, sweating under the glare of the sun or soaked by fine rain, Isaac was rejuvenated, and in Lillian’s eyes once more became the passionate lover who had seduced her at the age of nineteen, or the newlywed who possessed her on the stairs, before they could get as far as their bed.
    Two years after Alma came to live at Sea Cliff, Isaac Belasco and Takao Fukuda formed a partnership to set up a nursery for flowers and decorative plants. Their dream was to make it the best in California. The first step was to purchase some parcels of land in Isaac’s name, as a way of getting around the 1913 law that prohibited issei from becoming American citizens, owning land, or buying property. For Fukuda this was a unique opportunity; for Belasco it was a wise investment similar to others he had made at the height of the Depression. He had never been interested in the vagaries of the stock exchange, always preferring to invest in creating jobs. The two men became partners on the understanding that when Charles, Takao’s eldest son, came of age, the Fukudas could buy out Isaac’s share at the then prevailing prices, the nursery would be put into Charles’s name, and their partnership would be dissolved. Because he was born in the United States, Charles was an American citizen. All this was a gentleman’s agreement, sealed with a simple handshake.
    The Belascos’ garden remained deaf to the defamatory propaganda campaign against the Japanese, who were accused of unfair competition against American farmers and fishermen, threatening white women’s virtue with their insatiable lust, and corrupting American society by their Oriental, anti-Christian ways. Alma only found out about these slurs two years after she had arrived in San Francisco, when from one day to the next the Fukuda family became the “yellow peril.” By that time she and Ichimei were inseparable friends.
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    Imperial Japan’s surprise

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