The Fall

The Fall by Albert Camus Page B

Book: The Fall by Albert Camus Read Free Book Online
Authors: Albert Camus
Ads: Link
“The Adoration of the Lamb.” That panel was called “The Just Judges.” It represented judges on horseback coming to adore the sacred animal. It was replaced by an excellent copy, for the originalwas never found. Well, here it is. No, I had nothing to do with it. A frequenter of
Mexico City
—you had a glimpse of him the other evening—sold it to the ape for a bottle, one drunken evening. I first advised our friend to hang it in a place of honor, and for a long time, while they were being looked for throughout the world, our devout judges sat enthroned at
Mexico City
above the drunks and pimps. Then the ape, at my request, put it in custody here. He balked a little at doing so, but he got a fright when I explained the matter to him. Since then, these estimable magistrates form my sole company. At
Mexico City
, above the bar, you saw what a void they left.
    Why I did not return the panel? Ah! Ah! You have a policeman’s reflex, you do! Well, I’ll answer you as I would the state’s attorney, if it could ever occur to anyone that this painting had wound up in my room. First, because it belongs not to me but to the proprietor of
Mexico City
, who deserves it as much as the Archbishop of Ghent. Secondly, because among all those who file by “The Adoration of the Lamb” no one could distinguish the copy from the original and hence no one is wronged bymy misconduct. Thirdly, because in this way I dominate. False judges are held up to the world’s admiration and I alone know the true ones. Fourth, because I thus have a chance of being sent to prison—an attractive idea in a way. Fifth, because those judges are on their way to meet the Lamb, because there is no more lamb or innocence, and because the clever rascal who stole the panel was an instrument of the unknown justice that one ought not to thwart. Finally, because this way everything is in harmony. Justice being definitively separated from innocence—the latter on the cross and the former in the cupboard—I have the way clear to work according to my convictions. With a clear conscience I can practice the difficult profession of judge-penitent, in which I have set myself up after so many blighted hopes and contradictions; and now it is time, since you are leaving, for me to tell you what it is.
    Allow me first to sit up so I can breathe more easily. Oh, how weak I am! Lock up my judges, please. As for the profession of judge-penitent, I am practicing it at present. Ordinarily, my offices are at
Mexico City
. But real vocations are carriedbeyond the place of work. Even in bed, even with a fever, I am functioning. Besides, one doesn’t practice this profession, one breathes it constantly. Don’t get the idea that I have talked to you at such length for five days just for the fun of it. No, I used to talk through my hat quite enough in the past. Now my words have a purpose. They have the purpose, obviously, of silencing the laughter, of avoiding judgment personally, though there is apparently no escape. Is not the great thing that stands in the way of our escaping it the fact that we are the first to condemn ourselves? Therefore it is essential to begin by extending the condemnation to all, without distinction, in order to thin it out at the start.
    No excuses ever, for anyone; that’s my principle at the outset. I deny the good intention, the respectable mistake, the indiscretion, the extenuating circumstance. With me there is no giving of absolution or blessing. Everything is simply totted up, and then: “It comes to so much. You are an evildoer, a satyr, a congenital liar, a homosexual, an artist, etc.” Just like that. Just as flatly. In philosophy as in politics, I am for any theory that refusesto grant man innocence and for any practice that treats him as guilty. You see in me,
très cher
, an enlightened advocate of slavery.
    Without slavery, as a matter of fact, there is no definitive solution. I very soon realized that. Once upon a time, I was always

Similar Books

Craft

Lynnie Purcell

Play Dead

Peter Dickinson

Fionn

Marteeka Karland

Rage

Jonathan Kellerman

Dangerous Kiss

Jackie Collins

Therapy

Sebastian Fitzek

Blood

K. J. Wignall

How to Live

Sarah Bakewell