would arrive to ferry me back to the sane, ordinary world. I wouldn't let myself go mad there in that isolated and grim ghost town of Portsmouth .
I came upon the cemetery and impulsively passed through its fallen corroded gates. I went to that place where I had first seen the young woman. In that brilliant light of day, the sun reflecting off sea and sand, I saw the details on the markers I had not observed on my first night on the island. The two tombstones were identical in both shape and the amount of erosion.
The first read "Benjamin Elijah Johnson, 1826-1846." Under that, in smaller script: "Taken By The Sea." The one beside it, etched in alabaster, read "Mary Claire Dixon, 1828-1846." Hers bore a subscript identical to the neighboring marker's .
What was most striking about the stones were the engraved hands. The hand on Benjamin Johnson's marker, though well-worn by a century-and-a-half of exposure, was clearly reaching to the left, toward Mary Dixon's marker. Mary's hand, slimmer and more graceful in bas-relief, reached to the right, as if yearning for a final touch. The poignancy was plainly writ in that eternal arrangement.
Mary's hand. I bent forward and placed my fingers on it, lightly explored it. I knew those curves and hollows, those slender fingers, the sculptor's skill too finely honed. I had held that hand before.
I don't know how long I stood in the graveyard. The shadows eventually grew long, the breeze changed direction, and I knew that if I didn't move soon I might be forever rooted in that spot. I tore myself away from the twin graves and raced back to my room. I would not leave it, I decided. I would remain there, in the sleeping bag or rocking chair, until my boat arrived.
That night the clouds massed from the southeast and the wind rattled the few remaining shutters of the ancient house. I hoped with all my might that the weather would hold clear, lest my boatman lose his nerve. But as I watched from my high window, the storm raged toward the island, the wind screaming as the rain began. Suddenly a bolt of lightning ripped across the charred sky, and I saw her in the yard below the house.
My Mary.
She looked up at me with those familiar, ravishing eyes, that long hair darkened by rain, her comely form encased in that grand dress. My heart beat faster and my pulse throbbed with equal parts dread and desire. On a second lightning strike that followed closely on the heels of the first, I saw that she was motioning for me. I tried to pull my eyes away, but I could not.
Though I commanded my flesh to remain by the window, my legs found a will of their own and carried me to the stairs. I went down, a step at a time, my heart racing with dreadful anticipation. When I reached the first floor, the rain had increased, and the whole house shook on its flimsy pilings. She was waiting on the porch for me.
"Will you come?" she asked.
"Mary," I said.
She nodded, then, without a word, she turned and ran into the brunt of the storm.
I jumped after her, dashing madly through the dead town of Portsmouth , shouting at the sky, my curses lost against the fury. The wind among the hollow houses sounded like the laughter of a great crowd. I ran on, toward the beach where I knew the longboat would be.
She had already worked the boat into the water, and beckoned me with an oar. I fought through the turbulent sea, finally gaining the stern and climbing aboard. She had locked two of the oars and arched her back, dipping the oars into the churning sea. I found two more oars in the bottom and locked them into place, clumsily trying to match my strokes with hers.
It was useless, I knew. We were two against the ocean's might, two against nature, two alone. But I didn't care. All that mattered was Mary, pleasing Mary, being with Mary.
Lightning lashed again, and I saw the now-familiar tableau of sinking clipper and endangered rowboats. It may have been my imagination, but I thought I saw a man standing in the fore of
I came upon the cemetery and impulsively passed through its fallen corroded gates. I went to that place where I had first seen the young woman. In that brilliant light of day, the sun reflecting off sea and sand, I saw the details on the markers I had not observed on my first night on the island. The two tombstones were identical in both shape and the amount of erosion.
The first read "Benjamin Elijah Johnson, 1826-1846." Under that, in smaller script: "Taken By The Sea." The one beside it, etched in alabaster, read "Mary Claire Dixon, 1828-1846." Hers bore a subscript identical to the neighboring marker's .
What was most striking about the stones were the engraved hands. The hand on Benjamin Johnson's marker, though well-worn by a century-and-a-half of exposure, was clearly reaching to the left, toward Mary Dixon's marker. Mary's hand, slimmer and more graceful in bas-relief, reached to the right, as if yearning for a final touch. The poignancy was plainly writ in that eternal arrangement.
Mary's hand. I bent forward and placed my fingers on it, lightly explored it. I knew those curves and hollows, those slender fingers, the sculptor's skill too finely honed. I had held that hand before.
I don't know how long I stood in the graveyard. The shadows eventually grew long, the breeze changed direction, and I knew that if I didn't move soon I might be forever rooted in that spot. I tore myself away from the twin graves and raced back to my room. I would not leave it, I decided. I would remain there, in the sleeping bag or rocking chair, until my boat arrived.
That night the clouds massed from the southeast and the wind rattled the few remaining shutters of the ancient house. I hoped with all my might that the weather would hold clear, lest my boatman lose his nerve. But as I watched from my high window, the storm raged toward the island, the wind screaming as the rain began. Suddenly a bolt of lightning ripped across the charred sky, and I saw her in the yard below the house.
My Mary.
She looked up at me with those familiar, ravishing eyes, that long hair darkened by rain, her comely form encased in that grand dress. My heart beat faster and my pulse throbbed with equal parts dread and desire. On a second lightning strike that followed closely on the heels of the first, I saw that she was motioning for me. I tried to pull my eyes away, but I could not.
Though I commanded my flesh to remain by the window, my legs found a will of their own and carried me to the stairs. I went down, a step at a time, my heart racing with dreadful anticipation. When I reached the first floor, the rain had increased, and the whole house shook on its flimsy pilings. She was waiting on the porch for me.
"Will you come?" she asked.
"Mary," I said.
She nodded, then, without a word, she turned and ran into the brunt of the storm.
I jumped after her, dashing madly through the dead town of Portsmouth , shouting at the sky, my curses lost against the fury. The wind among the hollow houses sounded like the laughter of a great crowd. I ran on, toward the beach where I knew the longboat would be.
She had already worked the boat into the water, and beckoned me with an oar. I fought through the turbulent sea, finally gaining the stern and climbing aboard. She had locked two of the oars and arched her back, dipping the oars into the churning sea. I found two more oars in the bottom and locked them into place, clumsily trying to match my strokes with hers.
It was useless, I knew. We were two against the ocean's might, two against nature, two alone. But I didn't care. All that mattered was Mary, pleasing Mary, being with Mary.
Lightning lashed again, and I saw the now-familiar tableau of sinking clipper and endangered rowboats. It may have been my imagination, but I thought I saw a man standing in the fore of
Similar Books
