her three-year-old son, who was sleeping in the double bed, took out a key, and handed it to him. Then she began to tremble.
âWhat happened, Lieutenant?â
âDidnât you hear anything tonight?â
âNo, nothing. Weâre practically out in the country here. Yesterday evening we went to bed around seven, right after the Angelus bell. Then this morning my husband got up before daybreak to go out on his
paranza
. But what happened? Donât try to scare me!â
She staggered and, to avoid falling, leaned hard on him. Instinctively, Puglisi put his arm around her waist. Upon contact, she strengthened her grip on him. The constable felt slightly dizzy. This woman was very dangerous; he had to get out of there at once.
âLetâs do this. Do you have a neighbor here whom you could ask to watch over the kid?â
âYessir.â
âAll right, then, after youâve arranged that, come and meet me at your sisterâs place. But listen carefully: you mustnât make any noise or cry out in any way about what you happen to see.â
âBut what is there to see?â
âThere was a fire last night.â
âAll right,â said Agatina, as though resigned.
Less than ten minutes later, having run all the way back, Pu- glisi was standing again in front of the man he had posted outside the burnt building. The guard gave him a puzzled look.
âWhy, you look rather dirtier and greasier than before, sir.â
âDonât give me any shit and donât be a wise guy. Have you heard any voices inside the building?â
âNo. Who would be talking in there? Gnà Nunzia went to her sonâs place and the Pizzutos are in the hospital.â
âListen, Iâm going up there, to the top floor.â
âWhy? The top floor didnât burn. If there was anybody there, theyâd already be out by now.â
âI didnât ask you your opinion.â
The guard fell silent. It was unlike Puglisi to be so rude; it must mean there was something serious afoot.
âIn a short while a woman is supposed to come here. Let her inside, but tell her to keep close to the wall when she climbs the stairs. Itâs less dangerous that way.â
As he was going up, he suddenly started taking three steps at a time, but had to move carefully because the staircase didnât inspire much confidence.
The door to the widowâs apartment, once green, was now brown from the smoke. He opened it and entered a small black anteroom, black because everything inside the flat had turned black. Taking a few more steps, he found himself in the bedroom. He couldnât see a thing; the smell had turned the color of pitch. A shaft of dim light entered the room through the shutters of the French door, which had been left ajar. He went up to it and flung it open. The light burst in, and the first thing he saw were two ebony statues, life-size, on the bed. They represented the naked bodies of a man and a woman, closely entwined.
Late as usual
âL ate as usual, always late,â Angelica Gammacurta hissed at her husband as he sat down beside her after inconveniencing, upon his return from the lobby, the four people between the aisle and his seat.
The second act had already begun.
âAct Two started some time ago,â Signora Gammacurta declared angrily. âDo you think thatâs a civilized way to behave, the way you do?â
âI really donât give a damn. Anyway, whatâs the prefect going to do, call me in for a talk tomorrow, like at school? Itâs already a lot for me to have come to this tremendous bore of a theatre. Do the other people in the audience look like theyâre paying closer attention than I am?â
Indeed, the moment he had reentered the auditorium, Dr. Gammacurta thought he was at the fish market the day after the
paranzasâ
return, laden with catch. In the orchestra as in the gallery, people were talking
Glen Cook
Mignon F. Ballard
L.A. Meyer
Shirley Hailstock
Sebastian Hampson
Tielle St. Clare
Sophie McManus
Jayne Cohen
Christine Wenger
Beverly Barton