of round tables with white tablecloths. The walls looked dark red because of the muted light. There were only two dinersâa man and a womanâat a table near the bar, behind which stood a dark-haired man of about forty.
âWell, look whoâs here,â he said to Dannie, as if surprised to see her.
She seemed embarrassed. She said to him:
âIâve been away from Paris all this time.â
He greeted me with a brief nod. She introduced me:
âA friend.â
He seated us at a table near the door, perhaps so that weâd be left in peace, away from the other couple. But those two spoke very little, and in low voices.
âItâs nice here,â she said to me. âI should have brought you here before.â
It was the first time I saw her relax. Anywhere else in Paris I had been with her, I always noticed a hint of worry deep in her eyes.
âI used to live a bit farther on . . . in a hotel . . . when I left the apartment on Avenue Félix-Faure . . .â
As I write these lines, I read on the official form: âMireille Sampierry, residing at 23 Rue Blanche, Paris 9th.â But number 23 isnât a hotel: I checked. So why would she tell me sheâd lived in a hotel? Why that seemingly innocuous lie? And that name, Mireille Sampierry? Itâs too late to ask her now, except in my dreams, when different time periods merge together and I can ask whatever I please, thanks to what I gleaned from Langlaisâs file. But thereâs no point. She canât hear me, and I experience that strange sensation of absence you feel when you dream about deceased friends and see them so near to you.
âSo, what have you been up to all this time?â
He was standing at our table. He had served us two glasses of Cointreau, no doubt figuring that we shared the same tastes.
âTrying to find work . . .â
He flashed me a sarcastic look, as if he wasnât taken in by any of this and wanted an ally.
âBut she hasnât introduced us. André Falvet . . .â
He shook my hand, still smiling. I stammered:
âJean . . .â
I was always embarrassed to introduce myself and enter into someoneâs life in that abrupt, almost military way, which practically requires you to stand at attention. To keep things less formal, I dispensed with my family name.
âSo, did you find any work?â
The sarcasm wasnât only in his look. It was as if he were talking to a child.
âYes . . . A secretarial job . . . with him . . .â
She pointed to me.
âSecretarial?â
He nodded in false admiration.
âSome people were asking after you. In fact they asked me a lot of questions, but not to worry, I kept mum . . . I told them youâd gone abroad . . .â
âWell done.â
She looked around her, probably to verify that the decor hadnât changed. Then she turned to me:
âItâs very peaceful in here . . .â
It felt as if we were removed from everything, in a grotto that no one else could enter because a heavy red curtain had been drawn across the opening. The man and woman at the table in back had disappeared without my noticing, and now there was no way for me to know who they were.
âYes, very peaceful,â he said to her. âYou forgot itâs our day off . . .â
He headed back to the bar and, before going through the door that must have led to the kitchen:
âI wasnât expecting anyone for dinner this evening . . . I have to warn you, itâll be pot luck.â
She leaned toward me and our foreheads touched. She whispered:
âHeâs very nice . . . Nothing like those guys at the Unic Hôtel . . . You can trust him.â
I did not understand at the time why she was trying to reassure me. The manâs name, André Falvet, appears in the file that Langlais gave me, and what a
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