terrific in that black gown in the window.”
Again, Ondine whispered, “Tell her to pop round. I might be able to give her a very nice price.”
“I’ll do that,” Jury whispered back.
The doorman or security guard or greeter at the door told them in chilly tones that the shop was just closing.
“No, it isn’t,” said Jury, holding up his ID and pushing past him into the light, bright air of Jimmy Choo.
Whereupon the man immediately went to get someone else, a lithesome-looking woman who had a way of standing with her feet crossed and her hands crossed inside out before her. He thought this difficult pose came naturally to her, and he wondered if she had been a model. Models seemed able to accomplish the most unusual and uncomfortable-looking postures.
In this clear and uncluttered interior, Jury thought he might be reassessing the common attitudes toward wealth and materialism. In the cathedral-like quiet, in their little niches, the artfully arranged jewel-toned shoes covered the walls like stained-glass windows.
These shoes looked both impossibly rich and flyaway at the same time. They were displayed, in their lit-up little alcoves, as works of art. And rightly so, Jury thought as he took in that metallic silver sandal with the jewels running all the way up the instep, or that silver snakeskin with its four-inch heel and straps twining up the ankle, or that glittery leather with its narrow straps impossibly entwined. The architectural detail of these sandals was remarkable. Wiggins was nearly inhaling them, he was so close to the wall. He was getting down with the shoes.
Jury made a guess and asked the saleswoman if she recalled a woman purchasing the shoes in the photo he held out, perhaps a week ago? He thought after buying the dress, Mariah might have walked across the street to Jimmy Choo’s.
He was right. The purchase had been made, but there was no phone call that she remembered. Yes, she’d paid with a Barclaycard.
He walked over to Wiggins. “You thinking of buying a pair for that cousin in Manchester?”
“Not bloody likely; do you see what these things cost? That’d be-” Wiggins’s mobile sounded, and he flipped it open, spoke his name, and listened. Then he thanked the caller. “That was Cummins. Simon Smith is probably Simon Santos. He knows Timothy Rexroth from his work in the City. Simon’s in mergers and acquisitions. And we’re in luck; he lives right around the corner.” Wiggins inclined his head in that direction. “ Pont Street. I’ve the number; should I call?”
Jury looked at his watch. It was nearly six, a good time for drinks before dinner. From whatever he did in the City, Simon Santos might just be relaxing over one. “No. Let’s surprise him.”
18
He answered the door with a drink in his hand, whiskey by the look of it, and in a cut-glass tumbler that cost a hundred pounds by the look of it. It was, after all, Pont Street, just steps away from Beauchamp Place and Harrods, high in the Knightsbridge heavens.
Simon Santos had his French cuffs rolled up, his silk jacket casually tossed over a rosewood banister, and his Italian leather shoes polished to mirror brightness.
Jury and Wiggins pulled out their IDs simultaneously, and Simon Santos regarded them, apparently unsurprised.
And, Jury noticed, apparently unresentful.
Holding the door open wider, Santos said, “I just got in.”
Not from work, surely, Jury thought. Nothing he could thus far see in this house looked as if it had done a day’s work in its life.
Santos invited them to sit down in a room that could serve as a template for any voguish magazine spread. A massive fireplace with all sorts of baronial brass fittings, above which hung a portrait of a truly beautiful woman dressed in green velvet with white skin against which her dark red hair burned. On the hearth lay two chocolate Labradors, their heads raised, and so alike that they could have been a pair of andirons. Well-mannered, too.
C. J. Cherryh
Learning to Kill: Stories
John O'Riley
Brenda Sinclair
Christopher George
Stephen Lloyd Jones
Karl Iagnemma
Celya Bowers
Jill Gregory
Aria Cunningham