The Abyss of Human Illusion by Gilbert Sorrentino, Christopher Sorrentino

suit’s crotch. This sight may have maddened Billy, for soon he and Akina were committing adultery with, as they say, abandon, and soon Billy moved out, leaving Audrey hurt and bewildered.
    Billy left his job at UPS, at Akina’s urging, so that he could “do” all the things that he was capable of; she had realized, of course, that Billy could do nothing at all, but she thought that with his—with his what?—he would make a really great life for them both. Billy had some money, slyly saved in a bank account unknown to Audrey, and they lived off that and the few dollars Akina made working in a boutique on St. Mark’s Place, just then beginning its ascent into the diligently fake disreputability it would soon attain. He ignored Audrey’s pleas for financial help, smoked more “dynamite weed” than ever, and, with Akina’s urging, began to eat meat again: vegetarianism was for dumb fucks—like Audrey! They did a lot of laughing over their lamb chops.
    Audrey knew that Billy would tire of Akina, re-embrace his lost, mysteriously vacant life, and return home to her. She suggested that this sort of thing had happened before and that she was, always, to blame for Billy’s sexual escapades, and that they had been mutually planned. She smiled Billy’s secret smile, his I-can’t-talk-about-it smile, and lighted a cigarette made of some sort of rank legume. “Billy,” she said, “well … Billy.” Then she changed the subject; she, and it, obscured in a cloud of smoke that smelled very like a burning barn.

—L—
    H e didn’t understand Los Angeles. It seemed to him a demented collection of buildings scattered haphazardly over a vast area. This lack of understanding was profoundly intensified by the fact that he not only was unable to drive, he had no sense of direction. The old friends from New York with whom he and his restive and discontented wife were staying, took them here and there during their two-week visit, but his pale role as complaisant passenger made the city even more lavishly and bewilderingly strange, for he was never able to locate or isolate or even remember anything that might have served as a landmark, and only knew where he was moments before his host turned into the street where his little cottage stood behind a scrubby lawn that ran directly to the curb with no sidewalk intervening, a commonplace, as he discovered, in California: a place with no sidewalks: pedestrians knew just where they stood.
    Perhaps this sense of disconnection, this topographical anomie, contributed to his emotional desuetude, his stunned vacancy, when his wife abruptly left him one sunny, blue Los Angeles day, with a man she had met at a party they’d attended, a man whose name he didn’t know nor face remember: a nonentity, if it came to that. The note she left for him was cheerful, even breezy, as if he had been in on the whole affair and had helped plan it. But he soon realized that he, too, had become a nonentity, now that his wife had left him, that he had “lived,” so to speak, only in relation to her and her curiously blithe selfishness. His host and hostess were enormously kind to him, and took great care not to seem pitying, although this care was in itself a form of pity, as he and they knew. He was, perhaps, made more contemptible to himself as he thought, as he knew, that the man who had stolen—as he had come to think of it—stolen his wife, did not know his name or face either; he could clearly hear his wife’s voice: “Oh, what do you care what his name is? Take me away!” His face burned with the cuckold’s shame.
    He spent two week’s after his wife’s departure drinking steadily, one might say stupidly; he drank until he passed out, began drinking again when his brain flickered awake, then drank until he passed out—this went on and on, and half-permitted him to think that he didn’t know what had happened to him: well, he didn’t. After he sobered up, he left Los Angeles, defeated and