âbecause you just know itâs important. But you donât quite know where in the scheme of things itâs important. I keep thinking if I learn enough Iâll know where all these pieces should go to make everything whole.â
âItâs an affliction all right,â he said. âSo what else do you have?â
She looked down at the Oriental rug. âEven Rachel loves this. I bought it from an estate sale in the building.â
He was turning one of the corners up. âShe should love it. Itâs all silk thread.â
She took him to her bedroom, apologizing in advance for the mess. It was even worse than she remembered, with clothes piled high, books and papers all over the place and then, of course, the stuff all over she always meant to do something with.
âWhere did you get that?â he said, making a beeline for the steamer trunk she used as a table.
âItâs cool, isnât it? Itâs got like forty travel stickers from the thirties.â
âAnd thatâs what people want, with the old stickers.â
âAnd what about this?â she asked him, gesturing to her bed. It was unmade, of course, and since she had a habit of pulling out all her sheets and blankets in the night, at the moment it looked sort of like a large animal nest.
He examined the headboard, which had boughs of leaves and flowers carved in it. âFrench,â he said. âTurn of the century. Nice.â
âIt was my grandmotherâs. What about the footboard?â she said, pulling the mound of covers up so he could see it.
He circled the end of the bed and then squatted, running his hand over the dark wood. Then he frowned and got down on his knees to examine the legs. Then he sat up. âThis is frigginâ Regency, where did you get it?â
She burst out laughing. âItâs great, isnât it? If you can believe, my brother and I found it on the side of the road in Massachusetts.â
âSo what are you using as rails?â he wondered, lifting the comforter to look at the sides. âNot bad. Where did these come from?â
âI canât even remember,â she said truthfully. âThey were just up in my parentsâ attic and it was like, duh, I get it, Nanaâs headboard, these rails, the foot board.â
âFrench headboard circa 1900,â he said, getting to his feet, âEnglish footboard circa 1820, American rails circa 1930.â He smiled and threw his hands up. âIt works. You couldnât pass this off as anything realââ
âI wouldnât want to,â she told him. âItâs my bed.â Celia didnât tell him that no one except herself had ever slept in this bed. That it was the bed she had created after her boyfriend took off. That was the rule. No dirtying her nest. Never again. Not here, not where she was surrounded by the things she loved.
âBoy, I can sell that,â he said, walking across the bedroom, pointing to the lamp on her dresser. It was a large, silver-colored metal sculpture of a nude woman holding up a globe of light in each hand. âThe decorators from the Village will go nuts.â
âI bought that off the street. But not with the globes. I had to pay more for those globes than I paid for the lamp.â
âWhich was how much?â
âFifty, I thinkâwhich at the time I couldnât afford but I just had to have it. I didnât find the globes until last year. I think I had to pay around a hundred and twenty for those.â
âI can get you a thousand. Net.â He turned around. âAfter commission. A thousand bucks for that lamp.â
She blinked.
âSo when are we going to your storage unit?â he asked, eyes still roving the room. He walked over to her barrister bookcases.
âAnytime during the day, really,â she said. âMy parents gave me those bookcases.â
Charlie straightened up and turned
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