had been nervous her mother would think her cheap or something.)
On the shelves were other pretty or well-made things that had caught her eye: a variety of crystal doorknobs, an iron crucifix, a satin rope pull, a small circular silver serving tray, a crystal decanter (without its stopper), a silver calling-card holder. She also had a box holding Victorian calling cards she had been collecting forever.
Charlie was staring at the wall behind her. She laughed. âIsee youâve spotted Madame X,â she said, turning to look at the ink-and-watercolor sketch hanging next to the powder-room door. âItâs not a Sargent sketch,â she said, âbut it sure looks like Madame X in the Met, doesnât it? My guess is someone made a sketch of the real thing. Or maybe they copied it from a print.â
âWhere did you get it?â
âI talked my father into buying it for me at an estate sale in White Plains when I was in junior high. I think I must have liked her attitude,â she added, cracking a smile. Yeah, Madame X in the old days. Just putting myself out there with all the confidence in the world.
âYou could get good money for that,â Charlie told her, stepping closer to look at it. âItâs well-executed, the subject is recognizable and itâs got some age to it.â
âWhatâs good money?â
âFive or maybe even six hundred.â
âYouâre kidding,â she said, looking at it with new appreciation. âI think Dad bought it for twenty-five dollars.â She grimaced. âBut I love it, how could I ever sell it? Besides, my father got it for me.â
âWhat Iâm trying to say here, Celia,â Charlie said, taking off his glasses and gesturing with his hands. He hesitated, looking for the words. âYouâve got,â he said slowly, âan eye . And damn, little lady, Iâd sure like to have whatever your father didnât buy you.â
They laughed. She was starting to enjoy herself, starting to feel the same kind of connection with Charlie she felt with these things. It was hard to explain. âWhat about those doorknobs? I have no particular attachment to them.â
âWell, you could go two ways. You sell them as a boxed lot or you could pitch each one on eBay, for example, to find those particular buyers who are looking to match or replace in aperiod house. That oneâs pretty common,â he said, pointing, âbut thatââ he held one up to the light ââthat looks European. Eighteen-fifty or so.â
âI always look around on eBay but Iâve never registered or anything.â
âWell, you should,â he told her. âFor someone like you it would be a lot of fun. You know, I mean, why not?â
âCharlie,â she said, âIâve got a ton of stuff in storage. Furniture, Victorian photo albums, tools, china, God, you name it. My roommate made me get it all out of here. Would you go through it with me? See if thereâs anything you could sell?â
âSure! Thatâs part of my job. Scouting. I get a bonus.â He slapped his back pocket while explaining the sliding commission rates of the auction house, took out a well-worn wallet and pulled out a card.
âThese are about to go into storage,â she said, opening the closet door. They were simply boards, planking and slats standing on end.
Charlie put his glasses on again and went through them. âOak, ash, cedar, burled walnutâthatâs gorgeous, that walnut.â
âI know. Itâs that nutty color that makes me all zingy,â she confessed.
âKid, you gotta do something with this eye of yours,â he said, closing the door and taking off his glasses. âYou gotta make it a gift or Iâm tellinâ ya, itâs gonna be a lifelong curse. People yelling at you to get rid of stuff and you canât.â
âI know,â Celia said,
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