years old. I should have no cares other than what Iâm going to do on Saturday night. But that is not my life. That has never been my life.
I step into the light. I think of our apartment. Its worn couches, its blender and coffeemaker. The electricity, the invisible current of energy that warms us and keeps our rooms lit. The portal begins to tug on me. I stagger backward and grab the hedgerow with two hands. I canât stop thinking of my mother. Whatâs happening to her now? Are the visions coming so quickly and in such a torrent that sheâs no longer even conscious?
âTake care of her, Huguette,â I whisper as I thrust myself back into the tunnel. Itâs like climbing down into a manhole, dank and musty, and Iâm flooded with despair.
I run back to Dashâs house. I shouldnât have wasted this night. I should have gone straight to the Ministry to begin my search for my motherâs skin. Why didnât I do that? Itâs that girlâs fault. That beautiful girl with the strange name.
I wantâI want so many things.
TWENTY-TWO
W HEN I WAKE, I REMEMBER that this is the day Iâll be Changed. The first thing I do is vomit because Iâm so nervous.
During the years after the fire I took comfort in imagining that I wasnât aloneâthat there was a whole tribe of people like me who were whole before they were not. Who were these others? I romanticized them. A painter who knew the precise shade of alizarin crimson before he went blind, a violinist who mastered Paganiniâs 24 Caprices before she went deaf. We were a different species than those who were born disfigured because we remembered a time when it wasnât so. Whether the ability to remember would eventually drive us mad, I didnât know.
Suddenly I remember my Barkerâs, which I hid in the outhouse. I ask permission to go to the bathroom and Dash looks at me like Iâm crazy. Now that itâs daylight, he doesnât seem to be keeping such a close eye on me.
Iâm relieved to find the book is still buried in the bucket of lime. After a few minutes of deliberation (and after realizing that my new Isaurian pants have no pockets), I decide itâs best to leave it there. When I come into the kitchen, Dash hands me a cup of hot tea. Itâs a small house; obviously he heard me throwing up. We eat our breakfast in silence.
Itâs raining when Nigel pulls up to the house. I go to the window; the wagonâs been covered with a mottled gray canvas.
âIâll be here when you return,â says Dash, placing his mug in the sink.
I nod. I feel sick again.
âIt doesnât hurt,â he says.
âWhatever.â I donât believe him.
âIâm telling you the truth.â
âOkay, okay.â Now heâs irritating me. I just want to go and get it over with.
Iâm the last to be picked up. Nobody says a word as I climb aboard the wagon. Once we get going again, Emma scoots next to me. She presses a photograph into my hand: itâs of her parents sitting in a rowboat. Of course, Emma is nowhere in sight, because the photo was taken in the daytime. She must have been in the lodge. Or perhaps they went on vacation without her, left her in a house with tinted windows that filtered out ultraviolet light. The photograph sickens me. Iâm in a terrible mood this morning.
âYou shouldnât have brought this. Theyâll take it away if they find it,â I tell her.
She ignores me. âThatâs Jewel Lake. My father told me there were jewels at the bottom of it. He brought me back one.â She smirks. âHe said he dove down to the bottom and found it. A blue topaz, my birthstone. He made it into a ring. But I couldnât bring it with me. The Recruiter said no jewelry.â
I donât know what to say to her. All I want is to tune out.
Emma takes the picture back, holds it up to her face, and examines it. âThere,
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