see?â she says.
I sigh. âSee what?â
âThat space, between my parents. Thatâs for me.â
âI donât see any space.â Her parents are crammed up against each other, their shoulders and thighs touching, bathing in the sunlight while their daughter is sitting alone in the dark.
âNo, thereâs a space,â she says, her voice breaking. âMama told me so. They left room for me.â
She begins to cry.
Rose looks over at me and scowls. Do something, she mouths. I shrug. I donât want to get involved. But Emmaâs weeping gets annoyingly loud.
âLemme see.â I take the picture and pretend to study it. âOh yeah, now I see.â
âYou do not!â Emma shouts, grabbing it back. âYou lie and you suck!â
âGive it here,â says Michael. He takes the picture and shows it to Rose.
âOh yes, dear. I see. Theyâve made a space for you, all right. There on the cushion, under the warm sun,â Rose murmurs.
âIâm sorry, Emma,â I say after a few minutes.
She glares at me. âYou must be really scared.â
I look out of the back of the wagon. Itâs raining so hard it could be night. I see lanterns up ahead. A herd of cows suddenly materializes; then, just as quickly, they vanish into the fog.
âPeople get mean when they get scared,â she says.
âIâm not scared,â I say softly.
âYes you are,â she replies.
TWENTY-THREE
W HEN I GET MY FIRST glimpse of the Ministryâthat enormous stone bulwark, far taller than any other building in the cityâsomething inside me begins to throb. Suddenly breathing through my nose is not an option. I open my mouth like a dog and pant as quietly and unobtrusively as I can. Michael watches me guardedly, one arm slung protectively around Emma. I have failed to impress him this morning.
What Iâm experiencing is nostalgia. It pierces through me, and while the initial thrust of memory is like a tiny knife stabbing into my side, something that has been dammed up is finally free.
I have forgotten nothing. Somewhere inside me I have stored every detail. The wagon lumbers down the city streets and I know that to the left of me is the cobblerâs shop and to the right of me is the blacksmith. The sounds of Isaura are a long-forgotten sound track that now crackles into life: the hollow whoosh of the bellows, the dull thud of a mallet hitting wood, the flapping of clothes strung up on a line.
My past is a giant who has been asleep for a thousand years. Now see his limbs twitch. Now see his stone face turn to flesh.
My smugness begins to melt away. Yes, I buy my shoes at the mall and we get our oil changed at Jiffy Lube and Isauraâs insistence on hardship masquerading as purity annoys me. But as I continue to look out on the city streets, I canât help but remember all the good things: the community feasts, the long tables overflowing with food, sticking out my hand to get my future read, knowing that I was safe, that nothing would ever happen to me that I wouldnât be forewarned about.
The wagon jerks to a stop.
âThomas?â says Rose.
I feel like an overcooked hot dog.
âThomas,â Rose repeats. âNobody can leave until you do.â
Nigel comes around the back of the wagon. âWe donât have all day,â he says.
I nod but donât move.
âOh, for Christâs sake,â says Michael, pushing me aside. âGet out.â
Â
Luckily for me, we donât have to travel far inside the Ministry. If we did, I think I might drown in my memories. Nigel leads us down the main corridor and tells us to sit down and wait. He raps twice on a closed door and a muffled voice says to bring Rose in first. He carries her in.
No more than twenty minutes pass before sheâs done. The door creaks open eerily. No sign of the Maker, but we see Rose, still sitting in her chair. She turns to
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