Portraits and Observations

Portraits and Observations by Truman Capote

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Authors: Truman Capote
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her skirts and dropped a pearl-studded comb into her bloomers. Like the cryings of birds at twilight, airy twitterings of distress came from the charming girls in the next compartment. In the corridor the officers bumped about yapping orders and knocking into each other.
    Suddenly, silence. Outside, there was the murmur of wind in leaves, of voices. Just as the weight of the doctor’s body was becoming too much for me, the outer door of our compartment swungopen, and a young man stood there. He did not look clever enough to be a bandit.
    “Hay un médico en el tren?”
he said, smiling.
    The Australian, removing the pressure of his elbow from my stomach, climbed to his feet. “I’m a doctor,” he admitted, dusting himself. “Has someone been wounded?”
    “
Si, Señor
. An old man. He is hurt in the head,” said the Spaniard, who was not a bandit: alas, merely another passenger. Settling back in our seats, we listened, expressionless with embarrassment, to what had happened. It seemed that for the last several hours an old man had been stealing a ride by clinging to the rear of the train. Just now he’d lost his hold, and a soldier, seeing him fall, had started firing a machine gun as a signal for the engineer to stop the train.
    My only hope was that no one remembered who had first mentioned bandits. They did not seem to. After acquiring a clean shirt of mine which he intended to use as a bandage, the doctor went off to his patient, and the mother, turning her back with sour prudery, reclaimed her pearl comb. Her daughter and the soldier followed after us as we got out of the carriage and strolled under the trees, where many passengers had gathered to discuss the incident.
    Two soldiers appeared carrying the old man. My shirt was wrapped around his head. They propped him under a tree and all the women clustered about vying with each other to lend him their rosary; someone brought a bottle of wine, which pleased him more. He seemed quite happy, and moaned a great deal. The children who had been on the train circled around him, giggling.
    We were in a small wood that smelled of oranges. There was a path, and it led to a shaded promontory; from here, one looked across a valley where sweeping stretches of scorched golden grass shivered as though the earth were trembling. Admiring the valley, and the shadowy changes of light on the hills beyond, the six sisters,escorted by their elegant father, sat with their parasols raised above them like guests at a
fête champêtre
. The soldiers moved around them in a vague, ambitious manner; they did not quite dare to approach, though one brash, sassy fellow went to the edge of the promontory and called,
“Yo te quiero mucho.”
The words returned with the hollow sub-music of a perfect echo, and the sisters, blushing, looked more deeply into the valley.
    A cloud, somber as the rocky hills, had massed in the sky, and the grass below stirred like the sea before a storm. Someone said he thought it would rain. But no one wanted to go: not the injured man, who was well on his way through a second bottle of wine, nor the children, who, having discovered the echo, stood happily caroling into the valley. It was like a party, and we all drifted back to the train as though each of us wished to be the last to leave. The old man, with my shirt like a grand turban on his head, was put into a first-class carriage and several eager ladies were left to attend him.
    In our compartment, the dark, dusty mother sat just as we had left her. She had not seen fit to join the party. She gave me a long, glittering look.
“Bandidos,”
she said with a surly, unnecessary vigor.
    The train moved away so slowly butterflies blew in and out the windows.

F ONTANA V ECCHIA
(1951)
    Fontana Vecchia, old fountain. So the house is called.
Pace
, peace: this word is carved into the stone doorstep. There is no fountain; there has been, I think, something rather like peace. It is a rose-colored house dominating a

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