Portraits and Observations

Portraits and Observations by Truman Capote Page A

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Authors: Truman Capote
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valley of almond and olive trees that sinks into the sea. Across the water there is a view on clear days of Italy’s tip end, the peninsula of Calabria. Back of us, a stony, wavering path, traveled mostly by farming peasants, their donkeys and goats, leads along the side of the mountain into the town of Taormina. It is very like living in an airplane, or a ship trembling on the peak of a tidal wave: there is a momentous feeling each time one looks from the windows, steps onto the terrace, a feeling of being suspended, like the white reeling doves, between the mountains and above the sea. This vastness reduces to an intimate size particulars of the landscape—the cypress trees are small as green pen quills; each passing ship could be held in the palm of your hand.
    Before dawn, when drooping stars drift at the bedroom window fat as owls, a racket begins along the steep, at moments perilous, path that descends from the mountains. It is the farm families on their way to the marketplace in Taormina. Loose rocks scatter under the stumbling hoofs of overloaded donkeys; there are swells of laughter, a sway of lanterns: it is as though the lanterns were signaling to the far-below night fishermen, who just then are hauling in their nets. Later, in the market, the farmers and the fishermen meet: a small people, not unlike the Japanese, but brawny; indeed there is something almost lush about their lean walnut-hardness. If you question the freshness of a fish, the ripeness of a fig, they are great showmen.
Si, buono:
your head is pushed down to smell the fish; you are told, with an ecstatic and threatening roll of eyes, how delicious it is. I am always intimidated; not so the villagers, who poke stonily among the tiny jewel tomatoes and never hesitate to sniff a fish or bruise a melon. Shopping, and the arranging of meals, is universally a problem, I know; but after a few months in Sicily even the most skilled householder might consider the noose—no, I exaggerate: the fruit, at least when first it comes into season, is more than excellent; the fish is always good, the
pasta
, too. I’m told you can find edible meat; I’ve never been so fortunate. Also, there is not much choice of vegetables; in winter, eggs are rare. But of course the real trouble is we can’t cook; neither, I’m afraid, can our cook. She is a spirited girl, very charming, a little superstitious: our gas bill, for instance, is sometimes astronomical, as she is fond of melting immense pots of lead on the stove, then twisting the lead into carven images. As long as she keeps to simple Sicilian dishes, really simple and really Sicilian, they are, well, something to eat.
    But let me tell about the chicken. Not long ago Cecil Beaton, in Sicily on a holiday, came to stay with us. After a few days he was beginning to look a bit peaked: we saw that a more proper efforttoward feeding him would have to be made. We sent for a chicken; it appeared, quite alive, and accompanied by the cagey peasant woman who lives slightly higher on the mountain. It was a great black bird—I said it must be very old. No, said the woman, not old, just large. Its neck was wrung and G., the cook, put it to boil. Around twelve she came to say the chicken was still
troppo duro
—in other words, hard as nails. We advised her to keep trying, and settling on the terrace with glasses of wine, prepared to wait. Several hours, several wine liters later, I went out to the kitchen to find G. in a critical condition: after boiling the chicken, she had roasted it, then fried it, and now, in desperation, was giving it another boil. Though there was nothing else to eat, it should never have been brought to the table, for when it was set before us we had to avert our eyes: crowning this steaming heap was the poor bird’s severed head, its withered eyes gazing at us, its blackened cockscomb still attached. That evening Cecil, who previously had been staying with other friends on the island, informed us, quite

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