car. All I need is for you to sign and it is a done deal.’
Lorenzo obviously adored his mother, and wanted to protect her, but he was just as controlling with the frail little woman as he was with everything else, Lucy thought. For a second she had been sympathetic to his predicament of trying to save his mother from any hurt, even though she knew he was wrong about Damien, but his insulting comment that women were basically good at lying, and his offer to buy her off with his bank’s share of Steadman’s, had killed any sympathy she felt stone-dead.
‘I’ll think about your offer as we walk back,’ she said noncommittally. But inside she was seething. He had no qualms about deceiving his mother, albeit he believed it to be for her own good. But that he had the arrogance—the gall—to ask Lucy to do the same, and say that he would pay her for her trouble, was beyond belief. The man thought he could buy anyone and anything, from sex to silence. She almost said no. But a grain of caution—not something she was known for—told her that just in case anything went wrong with her plan to save the factory she should say yes …
Lucy didn’t speak to him or look at him again, but she could feel his eyes on her—could sense the growing tension in him with every step she took until they finally reached her home.
‘So, Lucy, do your agree?’ he asked, stopping by his car.
‘Yes. But with one proviso … no, two,’ she amended. ‘If your mother calls I will not lie to her—though I will remain silent about you and Damien and refuse any invitation she may make politely and finally.’
‘Excellent.’ Lorenzo smiled cynically. Money never failed. He opened the car door to get the briefcase containing the documents.
Lucy wasn’t finished. ‘But as far as the confidentiality agreement goes—forget it. You will have to take my word. And as for commissioning a painting … wait here a minute.’
And while Lorenzo was hastily extracting himself from the car, with a resounding bump on his proud forehead, Lucy ducked inside the house, locking the door behind her.
She made straight for her studio at the rear of the gallery, ignoring the hammering on the front door. When she found what she was looking for among the stack of paintings she looked at it for a long moment, a sad, reflective smile on her face, before picking it up. About to leave, she hesitated. Finding her sketch of Lorenzo, she took that as well.
If Lucy had learnt anything over the last twelve years it was not to dwell on the past and what might have been but to cut her losses and get on with living. Straightening her shoulders, the painting and the sketch under her arm, she retraced her steps. She opened the door to see Lorenzo bristling with anger, his fist raised and ready to knock again.
‘I had not finished,’ he snapped. ‘Let me make it perfectly clear it is my way or no way and your provisois not acceptable. The confidentiality agreement is a must, and non-negotiable.’
‘Then forget it. I’m not interested in your seedy idea, and I am finished with you
and
your family.’ Anger taking over her common sense, Lucy shoved the painting and the sketch at him. ‘Here—take these and your mother won’t need to call.’ He was so surprised he took them. ‘I don’t need them or you any more. I have another partner—an honourable man.’ And she slipped back in the house, slamming and locking the door behind her.
Lorenzo barely registered what she’d said. He was transfixed by the painting. It was of his brother Antonio, and it was stunning. Lucy had captured the very essence of him—the black curling hair, the sparkling eyes and the smile playing around his mouth. He looked so alive, so happy with life. It was uncanny. Lorenzo realised something else. For Lucy—who could only have been a teenager at the time—to have painted this, she must have been half in love with her subject.
Then he turned the sketch over, and stilled. The
Lorenzo obviously adored his mother, and wanted to protect her, but he was just as controlling with the frail little woman as he was with everything else, Lucy thought. For a second she had been sympathetic to his predicament of trying to save his mother from any hurt, even though she knew he was wrong about Damien, but his insulting comment that women were basically good at lying, and his offer to buy her off with his bank’s share of Steadman’s, had killed any sympathy she felt stone-dead.
‘I’ll think about your offer as we walk back,’ she said noncommittally. But inside she was seething. He had no qualms about deceiving his mother, albeit he believed it to be for her own good. But that he had the arrogance—the gall—to ask Lucy to do the same, and say that he would pay her for her trouble, was beyond belief. The man thought he could buy anyone and anything, from sex to silence. She almost said no. But a grain of caution—not something she was known for—told her that just in case anything went wrong with her plan to save the factory she should say yes …
Lucy didn’t speak to him or look at him again, but she could feel his eyes on her—could sense the growing tension in him with every step she took until they finally reached her home.
‘So, Lucy, do your agree?’ he asked, stopping by his car.
‘Yes. But with one proviso … no, two,’ she amended. ‘If your mother calls I will not lie to her—though I will remain silent about you and Damien and refuse any invitation she may make politely and finally.’
‘Excellent.’ Lorenzo smiled cynically. Money never failed. He opened the car door to get the briefcase containing the documents.
Lucy wasn’t finished. ‘But as far as the confidentiality agreement goes—forget it. You will have to take my word. And as for commissioning a painting … wait here a minute.’
And while Lorenzo was hastily extracting himself from the car, with a resounding bump on his proud forehead, Lucy ducked inside the house, locking the door behind her.
She made straight for her studio at the rear of the gallery, ignoring the hammering on the front door. When she found what she was looking for among the stack of paintings she looked at it for a long moment, a sad, reflective smile on her face, before picking it up. About to leave, she hesitated. Finding her sketch of Lorenzo, she took that as well.
If Lucy had learnt anything over the last twelve years it was not to dwell on the past and what might have been but to cut her losses and get on with living. Straightening her shoulders, the painting and the sketch under her arm, she retraced her steps. She opened the door to see Lorenzo bristling with anger, his fist raised and ready to knock again.
‘I had not finished,’ he snapped. ‘Let me make it perfectly clear it is my way or no way and your provisois not acceptable. The confidentiality agreement is a must, and non-negotiable.’
‘Then forget it. I’m not interested in your seedy idea, and I am finished with you
and
your family.’ Anger taking over her common sense, Lucy shoved the painting and the sketch at him. ‘Here—take these and your mother won’t need to call.’ He was so surprised he took them. ‘I don’t need them or you any more. I have another partner—an honourable man.’ And she slipped back in the house, slamming and locking the door behind her.
Lorenzo barely registered what she’d said. He was transfixed by the painting. It was of his brother Antonio, and it was stunning. Lucy had captured the very essence of him—the black curling hair, the sparkling eyes and the smile playing around his mouth. He looked so alive, so happy with life. It was uncanny. Lorenzo realised something else. For Lucy—who could only have been a teenager at the time—to have painted this, she must have been half in love with her subject.
Then he turned the sketch over, and stilled. The
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