One Good Turn by Kate Atkinson

traveled up with the posse of school friends and drunk into the night, long after everyone else had gone to bed. Gloria’s brother, Jonathan, would not have been in the photographs because he died when he was eighteen. Gloria was only fourteen when Jonathan died, and the child in her had presumed he would come back eventually. Now that she was older and understood that he was never coming back, she missed him more than when he died.
    As she watched the young policewomen climb back into their patrol car, Gloria thought about Graham in a hotel room, lying on a double bed with a veneer headboard, flicking through the TV channels while he ate steak and chips, a pathetic little garnish of a salad, half a bottle of claret—while he waited for a woman to come and perform professional sex. How many times had he betrayed her in this sleazy fashion while she sat at home with only the Bang and Olufsen Avant wide-screen for company? Hadn’t she known it in some way, in her heart of hearts? Innocence was no excuse for ignorance.
    Gloria had happened to glance down at that moment and notice she was wearing a boxy cashmere camel cardigan from Jenners that had brass buttons that could only be described as tedious. She realized that she was wearing the kind of clothes that her mother would have worn if she’d had more money. The matronly cashmere seemed to confirm something that Gloria had suspected for some time, that she had gone straight from youth to old age and had somehow managed to omit the good bit in between.
    It was not an unfamiliar feeling. Gloria often had the impression that her life was a series of rooms that she walked into when everyone else had just left. The war had been over for only a year when she was born, and it still loomed large in their household. Her father had fought “with Monty”—as if they had stood side by side in battle while her mother had engaged on the home front, heroically growing vegetables and keeping chickens. Gloria grew up feeling she had just missed something momentous that would never come again (which was true, of course) and that her life was thereby diminished. She felt much the same about the sixties. Her formative years had taken place in a no-man’s-land between two revolutionary epochs. By the time the sixties were in full swing, Gloria was married and writing grocery lists on wipe-clean “memo-boards.”
    If Gloria could have gone back, she would not have slipped off that bar stool in the pub on George IV Bridge and followed Graham. Instead she would have finished her degree, moved down to London and worn heels and little business suits (kept her figure), drunk a lot on the weekends, had sex with so many different men that she would never be able to remember their names, let alone their faces. She noticed the time and realized that the eBay auction had closed. She wondered if she had been outbid on her Staffordshire greyhounds. Trust Graham to spoil things even when he was at death’s door.
    O n the drive to the new infirmary out at Little France, Gloria had practiced the kind of conversation she would have with Graham. Despite the fact that Gemma and Clare had told her he was unconscious, Gloria hadn’t really foreseen that this would be a hindrance to his talking. Graham talked , it was what made him Graham, so when she saw him in the A and E, linked up to an array of blinking, beeping monitors, she was still expecting him to open his eyes and say something typically Grahamesque (“You took your fucking time, Gloria”). So his absolute passivity was puzzling.
    The A and E consultant explained that Graham’s heart had gone into “overload” and stopped. His “system” had been “down” a long time, resulting in his current state of suspended animation, which he might or might not recover from. “We reckon,” the consultant said to Gloria, “that roughly one in a hundred men die during sexual intercourse. The pulse of a man having sex with his wife is ninety beats
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