it was only after the end of the war with Japan that we got in touch again. Mulberry said that it was the strength of that little gold chain that brought her to Peking.â
âNow that you are here, thereâs no way to leave, Mulberry. The railroad from Peking to Tientsin has been cut. Thousands of people have made plane reservations, but you have to pay gold. We arenât able to do that.â Aunt Shen pauses, then suddenly cries out. âChia-kang! Chia-kang, Iâve got a cramp in my foot!â
Chia-kang runs over and shoves Joy aside. He pulls back the red silk quilt embroidered with mandarin ducks. He uncovers her small foot, no longer bound, pointed and wrinkled, the toes twisted.
âAi-ya! Ai-ya! It hurts!â
âMother, Iâll massage it for you. Every time I do it, you get better,â says Chia-kang, cradling the small foot in his hands, massaging the muscles along the top of the foot with his thumbs.
âGood, thatâs good. Chia-kang, donât stop!â
Chia-kang cradles the calf of her leg as he massages. He presses his thumbs along the top of her foot. âMother, is it better? Is it better now, Mother?â he says over and over.
She doesnât answer. She stares at the foot in her sonâs hand. Then she says, âChia-kang, dig into it with your fingernails.â
Chia-kang presses his long nails into the top and arch of her foot.
âChia-kang, harder. Thatâs good, there . . .â
âMother, Iâve pinched so hard that youâre bleeding. Does it hurt?â
âIf only I could feel pain. When I saw that foot in your hand, I was shocked. It wasnât my foot anymore.â
âIf itâs not yours, then whose is it?â Chia-kang laughs.
âIâve been sick too long, Chia-kang. Iâm in a daze all the time. Sometimes when your face suddenly flashes before my eyes, I even think itâs your father.â She withdraws her foot from his hands and wiggles her toes at him, laughing. âLook, itâs alive again.â
Joy, still grinning, returns to her place on the kâang and begins massaging Aunt Shenâs legs.
The oil lamp on the table sputters and almost goes out. We havenât had electricity or water for two days. Now the fire in the stove is dying down.
Chia-kang opens the door to the stove and throws in a shovelful of coal. The fire flares up again, the flames licking higher and higher, about to leap out of the stove. He hurriedly slams the door shut. The shadow of the acacia tree, with its branches stretching up to the sky, appears etched in the paper window.
Suddenly the clamour of shouts and a dogâs barking come toward us. The noise moves from the main gate to the Gate of the Dangling Flowers. The barking comes into the main courtyard. The howls lengthen into low muffled whimpers.
Aunt Shen turns to face the wall. âDogs cry at funerals. Chia-kang, get that dog out of here.â
I go with Chia-kang to the courtyard. Ice has formed on the ground. The sky is dark. Seven or eight of the students are beating a black shadow by the wall with clubs and poles. The shadow darts from corner to corner, whimpering. The rest of the students stand aside, cheering.
I ask them whey they are beating the dog. âThereâs nothing to eat in this city. When youâre hungry, you want to eat meat!â replies one of the students, grinding his teeth.
âMulberry, last night I dreamed you were at the Altar of Heaven.â
âIâve never, ever been there, Chia-kang.â
âMaybe thatâs just as well. The Temple of Heaven, the Imperial Park, the Imperial Temple, the Confucian Temple, Yung-ho Palace, now theyâre all overrun by refugees. The holy grounds of the sacred temples of the past are now contaminated, but when I dreamed about the Temple of Heaven, there was one tiny part untouched.
âYou know, the Temple of Heaven is the place where the Ming and
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