on a stone bench, her tawny hair barely brushing his shoulder, staring steadfastly at what appeared to be a large and ornately carved stone altar.Behind them, glaring from the wall, was a horrid wooden mask, with tusks, which could frighten large adults.
I will say this for The Frame. She not only had a shape on which to hang clothes, but apparently she possessed an instinct for what clothes to hang on the shape. Now she looked as if she had just been voted the Best Dressed Senior in her college. I donât recall exactly what she wore, except that it was something with a wide belt and a flaring skirt, and it gave her that collegiate look which blends so well with an interest in archeology.
âHello, people,â I greeted them. âIf you want to be alone I can think of more comfy places, without goons like that.â I nodded at the mask.
They didnât appear particularly happy to see us. âI hope you donât mind, Steve,â Homer protested. âYouâre not going to be a Phelps-Smythe, are you? You said I could do whatever I wanted, you know.â
âOf course, Homer,â I soothed him, âbut just let me know whatâs going on. If you start wandering off, and I donât know where you are, people might not understand. First thing you know youâll find yourself being tailed by the FBI and the Secret Service and Army G-2, and maybe Abel Pumphrey himselfâit would frighten him so.â
âWe were followed,â said The Frame. âIâm sure of it.â
âHonest?â
âAbsolutely,â said Homer.
âBy who?â
âI donât know. Kathy noticed him first. I never got a good look at him. But heâs somewhere in the building now.â
âDonât worry,â I said. âIâll find out about it. So long as you donât get in a jam, what the hell? People canât object to you taking an interest in some old stones or mummy cases.â
Jane Zitter looked worried. âThat might depend,â she observed, âas to whoâs acting as guide.â I noticed that Jane and The Frame were eyeing each other like a pair of strange tabbies, and remembered the introductions. Then I asked, casually:
âAnd how is archeology today?â
âWe were just discussing the legend of Tezcatlipoca,â The Frame remarked coolly. âAlthough one cannot really call it a legend, since it has been so well authenticated.â
âIt must be fascinating.â
âIt is for poor Homer,â said The Frame, âbecause he can see himself in it.â
Homerâs lips smiled, but his eyes were sad as a spanielâs. âThat is quite true,â he said, and explained.
It seems that one of the most bizarre Aztec rites was in honor of the god Tezcatlipoca, the god of fertility and creation. He was depicted as a young man, and handsome. Once each year the Aztecs picked a young man to represent the god. For a year he lived in splendor, and led the most exotic kind of life. His clothes were the finest, he was sprinkled daily with perfume, and flowers were thrown in his path when he went abroad. He was attended by the royal pages, and the people prostrated themselves when they saw him.
Four beautiful girls, each bearing the name of a goddessâor more if he wanted themâwere his.
Things went along like this for a year, but at the end of a year they took him to the top of their highest pyramid, and stretched him naked on a sacrificial stone of jasper. âJust like this one,â Homer said.
Then a red-robed priest zipped open his chest and cut out his heart with a volcanic stone knife, holding it aloft towards the sun. The corpse was thrown to the foot of the pyramid. âAnd then,â Homer continued, shuddering, âthey ate him!â
âI would not worry too much about that last part,â I told him. âThey might find some soup bones on you, but I donât see any
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