Daily News . Looks like a studio portrait when she was still a teenager. Tiffany sure was a terrific-looking kid.”
Quinn angled to his left so the glare from the window didn’t obscure the image on Pearl’s computer screen. He stepped closer.
The image was of a news item with the victim’s photo inset on the right. Tiffany’s name was printed beneath the black-and-white head shot of a pretty brunette with dark eyes and a glowing and somewhat naive smile. Young woman with a bright future, the caption should have read, rather than Latest Carver victim.
“Exactly the Carver victim type,” Pearl said. “Attractive, with dark hair and eyes, good cheekbones, generous mouth.”
You , Quinn thought, but didn’t say it.
“Tiffany fits right in. Our client does, too, but not exactly.”
“She can’t be Chrissie,” Fedderman said.
“So who is she?” Quinn asked. “And why’s she done a runner?”
“I might be able to answer your first question,” Pearl said. “As I recall, she never said she and Tiffany were identical twins. She is Chrissie Keller, Tiffany’s fraternal twin.”
“She sure let us assume they were identical twins,” Fedderman said. “I mean, with her story about wanting Quinn to think at first he was looking at one of the Carver’s victims. Shock persuasion.”
“Feds is right,” Quinn said. “She led us in that direction.”
“So she lied,” Pearl said. “My God, what a surprise!”
Quinn and Fedderman looked at each other.
In a corner of his mind, Fedderman had mulled over Pearl’s suggestion. “Pearl’s got a point,” he said. “They might be fraternal twins. But me, I’m not so sure.”
“Either way, she’s been dicking around with us,” Pearl said.
“Still is,” Fedderman said. “Playing a game.”
“We’ll give her game,” Pearl said.
The two detectives’ animosity was forgotten, lost in the fervor of the hunt. Quinn almost smiled. Cooking now…
“We need to find out why she lied,” Fedderman said.
Pearl nodded. “We need to find her. ”
19
The Carver sat in his room in Midtown Manhattan and watched the long, angular shadow cast by the afternoon sun move as inexorably as fate across the wall of the building across the street.
He’d taken to sitting in the same comfortable imitation Herman Miller chair and studying the same view.
It wasn’t really much of a view—simply rows and rows of windows. In the way of countless rows of windows in New York, they overwhelmed the eye so that all of them seemed impersonal, at least from a distance.
The Carver used high-powered Bausch & Lomb binoculars to close that distance and get to know on a more personal basis the people in the offices across the street. The interesting people, that is. Not the simple working drones. They didn’t provide much entertainment.
But the interesting people were something else. Of course, it took time and a lot of watching to locate the interesting ones; and the intriguing thing was, a few of the drones, after you watched them for a while, turned out to be interesting once you got to know and understand them.
There was the insurance guy who spent most of his time masturbating or tossing darts at a poster of Angelina Jolie. The woman office manager who, locked in her own office, drank to excess and was having a hot affair that involved bondage with one of her female underlings. More conventional romance was a regular feature on the other side of a windowpane where the building stair-stepped to rise another ten floors. There a middle-aged bald man—the Carver had never figured out what sort of position he held—had at least three sexual trysts per week with a long-legged blond woman who was quite spectacular and didn’t seem to frequent that floor of the building except for services rendered to the man.
A high-priced prostitute?
No. She didn’t have that look about her, and she didn’t carry a purse or large bag. She seemed to work elsewhere in the building,
David Dalglish
Chanel Austen
R. L. Stine
Mary Rickert
Debbie Flint
Anne Rivers Siddons
Tracey Devlyn
D. R. Rosier
Kimmie Easley
Lauren Stewart