lap; and there I sat, breathing the bittersweet fumes of its contents, feeling frightened and silly as hell.
I grabbed the bottle and sniffed. I’d smelled that somewhere before—where was it? Uh—oh, yes; that mascara the Chinese honky-tonk girls use in Frisco. The liquid was dark—smoky black. I tasted it cautiously. It wasn’t bad. If it wasn’t alcoholic, then the old manin the shop had found a darn good substitute for alcohol. At the second sip I liked it and at the third I really enjoyed it and there wasn’t any fourth because by then the little bottle was a dead marine. That was about the time I remembered the name of the black ingredient with the funny smell. Kohl. It is an herb the Orientals use to make it possible to see supernatural beings. Silly superstition!
And then the liquid I’d just put away, lying warm and comfortable in my stomach, began to fizz. Then I think it began to swell. I tried to get up and couldn’t. The room seemed to come apart and throw itself at me piecemeal, and I passed out.
Don’t you ever wake up the way I did. For your own sake, be careful about things like that. Don’t swim up out of a sodden sleep and look around you and see all those things fluttering and drifting and flying and creeping and crawling around you—puffy things dripping blood, and filmy, legless creatures, and little bits and snatches of pasty human anatomy. It was awful. There was a human hand afloat in the air an inch away from my nose; and at my startled gasp it drifted away from me, fingers fluttering in the disturbed air from my breath. Something veined and bulbous popped out from under my chair and rolled across the floor. I heard a faint clicking, and looked up into a gnashing set of jaws without any face attached. I think I broke down and cried a little. I know I passed out again.
The next time I awoke—must have been hours later, because it was broad daylight and my clock and watch had both stopped—things were a little better. Oh, yes, there were a few of the horrors around. But somehow they didn’t bother me much now. I was practically convinced that I was nuts; now that I had the conviction, why worry about it? I dunno; it must have been one of the ingredients in the bottle that had calmed me down so. I was curious and excited, and that’s about all. I looked around me and I was almost pleased.
The walls were green! The drab wallpaper had turned to something breathtakingly beautiful. They were covered with what seemed to be moss, but never moss like that grew for human eyes to see before. It was long and thick, and it had a slight perpetual movement—not that of a breeze, but of growth. Fascinated, I moved over and looked closely. Growing indeed, with all the quick magic ofspore and cyst and root and growth again to spore; and the swift magic was only a part of the magical whole, for never was there such a green. I put out my hand to touch and stroke it, but I felt only the wallpaper. But when I closed my fingers on it, I could feel that light touch of it in the palm of my hand, the weight of twenty sunbeams, the soft resilience of jet-darkness in a closed place. The sensation was a delicate ecstasy, and never have I been happier than I was at that moment.
Around the baseboards were little snowy toadstools, and the floor was grassy. Up the hinged side of the closet door climbed a mass of flowering vines, and their petals were hued in tones indescribable. I felt as if I had been blind until now, and deaf, too; for now I could hear the whispering of scarlet, gauzy insects among the leaves and the constant murmur of growth. All around me was a new and lovely world, so delicate that the wind of my movements tore petals from the flowers, so real and natural that it defied its own impossibility. Awestruck, I turned and turned, running from wall to wall, looking under my old furniture, into my old books; and everywhere I looked I found newer and more beautiful things to wonder at. It was while
Joanne Fluke
Twyla Turner
Lynnie Purcell
Peter Dickinson
Marteeka Karland
Jonathan Kellerman
Jackie Collins
Sebastian Fitzek
K. J. Wignall
Sarah Bakewell