âDip into the wine thy little red lips, Salomé, that I may drain the cup!â
Ariel leaned across the wheelchair and picked up the glass and put it into his shaking hand. âItâs already near empty; finish it yourself.â
He did, though he spilled some drops onto his dressing gown lapel, and then handed the glass back to her.
âThat explosion,â he said, âyouâve heard it before. Itâs my mother, blowing herself up on the roof.â
Ariel momentarily hoped Scott had climbed down from the roof; but, âWhat do you mean?â she asked. âCome on, pleaseâthat was a week ago.â
âAnd how long ago do you suppose that âLaurel and Hardy carâ was parked on the side road? All of this is your fault as well as my own. And my motherâs. Though Iâm the most guilty, I suppose.â He tried to hike himself farther up, then just slumped back with a gasp of pain. âDamn. We should host a youth camp, you know? They could put up tents in the garden and out by the bungalows.â
âYou really are a vicious pig,â said Ariel, setting down his wineglass. âYou canât get out and leave spiders youâve looked at in playgrounds anymore, so you want to . . . get your filthy rejuvenation here ? I wouldnât let you.â
Claimayne waved a pale hand dismissively. âIt was just a thought. But I might leave a couple around for our guests. Theyâre appreciably younger than I am.â
âI donât think youâd want to soak up any of Scottâs vitality. Youâd probably get the DTs. But you could probably use a dose of anorexia from Madeline.â Ariel looked nervously at the dim ceiling. â Do youknow what that explosion was? It canât have been . . . what you said.â
âYou just saw a car from nearly a hundred years ago, and you donât believe you can hear a noise from only a week ago? It was my mother.â
Ariel was horrified to realize that she believed him. âClaimayne,â she whispered shakily, âthis has got to stop .â
âActually,â drawled Claimayne, âyour first guess may have been rightâit may be the fault of our guests most of all.â
âWhat, that old car I saw is their fault? Or the grenade going off again on the roof?â
âBoth, and more. The dishes and windowsâand my vinyl records!âthat are breaking in spider-pattern cracks.â He opened his eyes wide for a moment. âDo you remember 1992?â
âSome. I was ten years old.â She touched her own silver gyroscope pendant.
âI was eighteen. Arthur and Irina had disappeared on New Yearâs Eve of â91. My mother had apparently lost a collection of spiders in â91, and I think Arthur and Irina stole them from her; then the summer after those two disappeared, my mother got the collection back again. I think she took them from Scott and Madeline, who must have found their parentsâ hiding place.â
Ariel was aware of, and instantly suppressed, an eagerness to know what had become of the collection. You donât do that anymore, she told herselfâyou donât want to lose yourself, your self, anymoreâand these would probably have been dirty ones, ones that somebody else had looked at. I only did freshly printed ones that had no possible flash-aheads or flashbacks connected to them . . . after I knew how they worked, anyway.
âI was a sneaky boy,â Claimayne went on with a reminiscent smile. âI snooped and found them . . . but there was one she hid away where even I couldnât find it. They were labeled, and she kept a listâthe one I never could find was labeled Oneida Inc . In a penciled note she called it her retirement check. I think my mother never looked atit; I think she was saving it for an extremity, butââhe gave a circular wave that took in the whole troubled house, the whole