May We Borrow Your Husband?

May We Borrow Your Husband? by Graham Greene

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Authors: Graham Greene
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of excursions, she would have turned tail and returned to the campus. Next year, she thought, when I am forty, I must feel grateful that I have preserved the love of a good man.
    She was a woman given to self-analysis, and perhaps because it is a great deal easier to direct questions to a particular face rather than to a void (one has the right to expect some kind of a response even from eyes one sees many times a day in a compact), she posed the questions to herself with a belligerent direct stare into the looking-glass. She was an honest woman, and for that reason the questions were all the cruder. She would say to herself, I have slept with no one other than Charlie (she wouldn’t admit as sexual experiences the small exciting half-way points that she had reached before marriage); why am I now seeking to find a strange body, which will probably give me less pleasure than the body I already know? It had been more than a month before Charlie brought her real pleasure. Pleasure, she learnt, grew with habit, so that if it were not really pleasure that she looked for, what was it? The answer could only be the unfamiliar. She had friends, even on the respectable campus, who had admitted to her, in the frank admirable American way, their adventures. These had usually been in Europe – a momentary marital absence had given the opportunity for a momentary excitement, and then with what a sigh of relief they had found themselves safely at home. All the same they felt afterwards that they had enlarged their experience; they understood something that their husbands did not really understand – the real character of a Frenchman, an Italian, even – there were such cases – of an Englishman.
    Mary Watson was painfully aware, as an Englishwoman, that her experience was confined to one American. They all, on the campus, believed her to be European, but all she knew was confined to one man and he was a citizen of Boston who had no curiosity for the great Western regions. In a sense she was more American by choice than he was by birth. Perhaps she was less European even than the wife of the Professor of Romance Languages, who had confided to her that once – overwhelmingly – in Antibes . . . it had happened only once because the sabbatical year was over . . . her husband was up in Paris checking manuscripts before they flew home . . .
    Had she herself, Mary Watson sometimes wondered, been just such a European adventure which Charlie mistakenly had domesticated? (She couldn’t pretend to be a tigress in a cage, but they kept smaller creatures in cages, white mice, love-birds.) And, to be fair, Charlie too was her adventure, her American adventure, the kind of man whom at twenty-seven she had not before encountered in frowsy London. Henry James had described the type, and at that moment in her history she had been reading a great deal of Henry James: ‘A man of intellect whose body was not much to him and its senses and appetites not importunate.’ All the same for a while she had made the appetites importunate.
    That was her private conquest of the American continent, and when the Professor’s wife had spoken of the dancer of Antibes (no, that was a Roman inscription – the man had been a marchand de vin ) she had thought, The lover I know and admire is American and I am proud of it. But afterwards came the thought: American or New England? Yet to know a country must one know every region sexually?
    It was absurd at thirty-nine not to be content. She had her man. The book on James Thomson would be published by the University Press, and Charlie had the intention afterwards of making a revolutionary break from the romantic poetry of the eighteenth century into a study of the American image in European literature – it was to be called The Double Reflection : the effect of Fenimore Cooper on the European scene: the image of America presented by Mrs Trollope –

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