it was always getting her into trouble.â Then, so as not to place her in his motherâs generationâfor he is roughly her own ageâhe says, âAnd now theyâre all the rage again.â
She decides heâs not the wedding consultant after all. âWhich side are you on?â she says.
âWhich side . . . oh, the brideâs. I had the pleasure of working with her at one time.â The tray of champagne is tilting their way. He dances her away from it, bracing her firmly as his steps lengthen. The brooch catches again. âUh-oh. Here.â He pauses, and one hand secures her back as two long fingers of the other press her collarbone, lightly, while with the others he bends a tiny wire in the setting. She is flushed from the exertion and from having to arch backwards because of his height and stick with the conversation and keep her balance in a sequence that began simply but has grown more unpredictable as he feels her follow him. They start again, whirling a path through the crowd. âMy daughter says itâs junk, but I donât know, these donât look like any pearls I ever saw, they could be real.â
âI wouldnât be surprised. Are you going to sell it?â he asks in a friendly way.
She almost trips. âWhy do you ask me that?â
âForgive me, Iâm thoughtless, I was joking.â But he isnât a smiler. He has her close, where without her glasses she canât really see him. He seems to steer her with something small, maybe the wrist bone. âI must be carried away, dancing with the mother of the bride.â
âHow do you know, you werenât at the wedding.â
âI wasnât?â
âYou were here in this room when we got here.â
âWell, Iâll confess. I said to myself, âThe prettiest dress. Eyes bluer than the brideâs.â And I heard you speak to Mr. Weller there, the young groom, and I thought to myselfâ Voila! West Virginia!â
âWell, what about you? Youâre just as bad. Youâre not from here, youâre from down south.â
âSo I am.â With his mustache and sad eyes he could have been another of those soft-spoken Southerners you ran into in boarding houses, always polite, showing you some pocket watch or worn-out leather book they carried around. He could have been, if you didnât notice the halfway-mean pride that belonged to certain males looking to tease you into somethingâshe was surprised to recognize itâand a kind of barely-held-onto patience.
He spins her into the center of the parquet floor, three times, so that she lies this way and that like a dress displayed on an arm. âWhat took you from West Virginia to Baltimore?â
âThings happened,â she says, trying not to show that the burst of energy is deserting her and she is losing her breath. âI had enough of the place. My sisterâhow do you know where I live?â
With both arms he holds her in, against the strong outward pull of his wide steps in the turn. âI suppose I know everything about you,â he says.
âI guess my daughter turned into a talker.â Out of the corner of her eye she keeps seeing the white dress of her daughter, wide skirts sloshing up and back. Even in this first dance, the dance to complete the wedding and start the new, married life, her daughter is keeping an eye on her.
âNo.â
âShe worked for you.â
âYes, she did.â
She tries to lean back to look at him, but with his forearm along her back and fingers to her ribs he keeps her where she is. By now she needs her breath and doesnât try to speak.
Her ears are ringing so that she canât hear much more than the big double bass thumping. That she could feel even if she went deaf. The man seems calmly, even selfishly, attached to the idea of circling the dance floor with her for the length of this waltz, so long-drawn-out
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