don’t know anything about you,” she said, starting the van. “I got money in the safe at the office.”
“I can’t go there.”
“You can keep your skinny ass right where you at. I’ll park at the back door and bring the money out to you.”
“What if the cops are watching the place?”
“What do you take me for? Honey, I done forgot more about cops than you’ll ever know.”
Or so she wanted to think. Suddenly she wanted to ask him everything she didn’t know about him, but she knew he wouldn’t give her the answers. “Baby, that dead lawyer, he ain’t no crime kingpin. He ain’t running the mob out of some nasty office in some nasty strip mall. He ain’t worth the money it’d cost the taxpayers to set up surveillance on every courier service in LA. First they gots to figure out who done the pickup. Unless that man was the neat-and-tidy kind, keeping notes of who done what, when, why. He strike you like that?”
Jace shook his head.
“Then lay down on the floor and stay there ’til I tell you something else.”
“You’re the best, Eta.”
“You’re damn straight I am,” she grumbled, pulling away from the curb. “Y’all don’t appreciate Miss Eta. Hanging my big black bootie out there for y’all. I don’t know what you’d do without me.”
12
S peed Couriers. Stylish logo. A forties deco look. All caps, letters slanted steeply to the right, a series of horizontal lines extending to the left to suggest fast movement. The sign had probably cost more than a month’s rent on the dump it hung over.
The space had once been an Indian restaurant, and still smelled like it, Parker noticed as they went inside. The stale, sour ghost of old curry had permeated the royal blue walls and gold- painted ceiling. Ruiz wrinkled her nose and looked at Parker like it was his fault.
“Welcome to our house.” The guy who opened the door and stood back to let them in was tall and thin with the dark, shiny eyes of a zealot.
A punked-out kid with three nose rings and a blue Mohawk sat smoking a cigarette at a small table near the front window. After a furtive gaze at Parker and Ruiz, he put on a pair of curved silver shades, slipped out of his chair and out the door as they moved into the room.
“All guests are welcome, all sinners redeemed,” their doorman told them. He arched a brow in disapproval as he looked down on Ruiz and the red lace bra playing peekaboo out of her black suit jacket. “Are you familiar with the story of the wife of Heber?”
Parker looked around. The wall going down a long, narrow hall was covered with cheap, staple-riddled fake wood paneling and served as a giant bulletin board. Playbills and political propaganda. RAGE AGAINST THE MACHINE—WAGE WAR AGAINST THE CAR CULTURE. A flyer advertised a messengers’ race that had happened two months previously. A poster recruited blood donors for cash. Snapshots showed a motley assortment of messengers at parties, on their bikes, clowning around. Hand-scrawled notes on torn scraps of paper advertised stuff for sale. Someone was looking for a nonsmoking roommate. Someone was moving to Holland, “Where the weed is legal and the sex is free. Bye-bye you cocksuckers!”
Parker showed his badge to their spirit guide. “We need to speak with your dispatcher.”
Their doorman smiled and gestured toward a scratched-up Plexiglas and drywall cubicle, where a large woman with a head of braids held back by a bright-colored scarf and a phone sandwiched between her shoulder and her ear was taking notes with one hand and reaching for a microphone with the other. “Eta, Queen of Africa.”
The woman’s voice boomed over a tinny speaker. “John Remko! Get your crazy ass on a bike! You got a pickup. Take this manifest and get the hell out of here!”
Frowning, the man went to the window cut into the hall side of the cubicle. “Miss Eta, such language—”
The woman’s eyes
“I can’t go there.”
“You can keep your skinny ass right where you at. I’ll park at the back door and bring the money out to you.”
“What if the cops are watching the place?”
“What do you take me for? Honey, I done forgot more about cops than you’ll ever know.”
Or so she wanted to think. Suddenly she wanted to ask him everything she didn’t know about him, but she knew he wouldn’t give her the answers. “Baby, that dead lawyer, he ain’t no crime kingpin. He ain’t running the mob out of some nasty office in some nasty strip mall. He ain’t worth the money it’d cost the taxpayers to set up surveillance on every courier service in LA. First they gots to figure out who done the pickup. Unless that man was the neat-and-tidy kind, keeping notes of who done what, when, why. He strike you like that?”
Jace shook his head.
“Then lay down on the floor and stay there ’til I tell you something else.”
“You’re the best, Eta.”
“You’re damn straight I am,” she grumbled, pulling away from the curb. “Y’all don’t appreciate Miss Eta. Hanging my big black bootie out there for y’all. I don’t know what you’d do without me.”
12
S peed Couriers. Stylish logo. A forties deco look. All caps, letters slanted steeply to the right, a series of horizontal lines extending to the left to suggest fast movement. The sign had probably cost more than a month’s rent on the dump it hung over.
The space had once been an Indian restaurant, and still smelled like it, Parker noticed as they went inside. The stale, sour ghost of old curry had permeated the royal blue walls and gold- painted ceiling. Ruiz wrinkled her nose and looked at Parker like it was his fault.
“Welcome to our house.” The guy who opened the door and stood back to let them in was tall and thin with the dark, shiny eyes of a zealot.
A punked-out kid with three nose rings and a blue Mohawk sat smoking a cigarette at a small table near the front window. After a furtive gaze at Parker and Ruiz, he put on a pair of curved silver shades, slipped out of his chair and out the door as they moved into the room.
“All guests are welcome, all sinners redeemed,” their doorman told them. He arched a brow in disapproval as he looked down on Ruiz and the red lace bra playing peekaboo out of her black suit jacket. “Are you familiar with the story of the wife of Heber?”
Parker looked around. The wall going down a long, narrow hall was covered with cheap, staple-riddled fake wood paneling and served as a giant bulletin board. Playbills and political propaganda. RAGE AGAINST THE MACHINE—WAGE WAR AGAINST THE CAR CULTURE. A flyer advertised a messengers’ race that had happened two months previously. A poster recruited blood donors for cash. Snapshots showed a motley assortment of messengers at parties, on their bikes, clowning around. Hand-scrawled notes on torn scraps of paper advertised stuff for sale. Someone was looking for a nonsmoking roommate. Someone was moving to Holland, “Where the weed is legal and the sex is free. Bye-bye you cocksuckers!”
Parker showed his badge to their spirit guide. “We need to speak with your dispatcher.”
Their doorman smiled and gestured toward a scratched-up Plexiglas and drywall cubicle, where a large woman with a head of braids held back by a bright-colored scarf and a phone sandwiched between her shoulder and her ear was taking notes with one hand and reaching for a microphone with the other. “Eta, Queen of Africa.”
The woman’s voice boomed over a tinny speaker. “John Remko! Get your crazy ass on a bike! You got a pickup. Take this manifest and get the hell out of here!”
Frowning, the man went to the window cut into the hall side of the cubicle. “Miss Eta, such language—”
The woman’s eyes
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