Horus Rising by Dan Abnett

forming strange rows and patterns, as if their arrangement was deliberate, or concealed, by some secret code, great truths of life and death. There was a smell in the dry, hot air, like burning or blood or ordure, yet none of those things. A mingled scent, an afterscent. It wasn’t burning he could smell, it was things burnt. It wasn’t blood, it was dry residue. It wasn’t ordure, it was the seeping consequence of sewer systems broken and cracked by the bombardment.
    Many streets had stacks of belongings piled up along the pavements. Furniture, bundles of clothing, kitchen-ware. A great deal of it was in disrepair, and had evidently been recovered from ruined dwellings. Other piles seemed more intact, the items carefully packed in trunks and coffers. People were intending to quit the city, he realised. They had piled up their possessions in readiness while they tried to procure transportation, or perhaps the relevant permission from the occupying authorities.
    Almost every street and yard bore some slogan or other notice upon its walls. All were hand written, in a great variety of styles and degrees of calligraphic skill. Some were daubed in pitch, others paint or dye, others chalk or charcoal – the latter, Karkasy reasoned, marks made by the employment of burnt sticks and splinters taken from the ruins. Many were indecipherable, or unfathomable. Many were bold, angry graffiti, specifically cursing the invaders or defiantly announcing a surviving spark of resistance. They called for death, for uprising, for revenge.
    Others were lists, carefully recording the names of the citizens who had died in that place, or plaintive requests for news about the missing loved ones listed below. Others were agonised statements of lament, or minutely and delicately transcribed texts of some sacred significance.
    Karkasy found himself increasingly captivated by them, by the variation and contrast of them, and the emotions they conveyed. For the first time, the first true and proper time since he’d left Terra, he felt the poet in him respond. This feeling excited him. He had begun to fear that he might have accidentally left his poetry behind on Terra in his hurry to embark, or at least that it malingered, folded and unpacked, in his quarters on the ship, like his least favourite shirt.
    He felt the muse return, and it made him smile, despite the heat and the mummification of his throat. It seemed apt, after all, that it should be words that brought words back into his mind.
    He took out his chapbook and his pen. He was a man of traditional inclinations, believing that no great lyric could ever be composed on the screen of a data-slate, a point of variance that had almost got him into a fist fight with Palisad Hadray, the other ‘poet of note’ amongst the remembrancer group. That had been near the start of their conveyance to join the expedition, during one of the informal dinners held to allow the remembrancers to get to know one another. He would have won the fight, if it had come to it. He was fairly sure of that. Even though Hadray was an especially large and fierce woman.
    Karkasy favoured notebooks of thick, cream cartridge paper, and at the start of his long, feted career, had sourced a supplier in one of Terra’s arctic hives, who specialised in antique methods of paper manufacture. The firm was called Bondsman, and it offered a particularly pleasing quarto chapbook of fifty leaves, bound in a case of soft, black kit, with an elasticated strap to keep it closed. The Bondsman Number 7. Karkasy, a sallow, rawheaded youth back then, had paid a significant proportion of his first royalty income for an order of two hundred. The volumes had come, packed head to toe, in a waxed box lined with tissue paper, which had smelled, to him at least, of genius and potential. He had used the books sparingly, leaving not one precious page unfilled before starting a new one. As his fame grew, and his earnings soared, he had often thought about