first moment I saw her, just as I did you. I miss her, Lily, every day I miss her.
“What you’ve been going through—maybe now it’s over. Maybe what happened with the Explorer, maybe that snapped you back. Believe me, dearest, I just want you to get well. I want that more than anything. I want to take you to Maui and lie with you on the beach and know that your biggest worry will be how to keep from getting sunburned. Don’t listen to your brother. Please, Lily, don’t believe there was anything sinister about Lynda’s death. Your brother is a cop. Cops think everyone has ulterior motives, but I don’t. I love you. I want you to be happy, with me.”
Savich, who’d been finishing off his lasagna during this impassioned speech, looked only mildly interested, as if he were attending a play. He laid down his fork and said, “Tennyson, how long has your dad been on the board of the Eureka Art Museum?”
“What? Oh, I don’t know, for years, I suppose. I’ve never really paid any attention. What the hell does that have to do with anything?”
“You see,” Savich continued, “at first we couldn’t figure out why you would want to marry Lily if your motive was to kill her. For what? Then we realized you knew about our grandmother’s paintings. Lily owns eight Sarah Elliotts, worth a lot of money, as you very well know.”
For the first time, Savich felt a mild surge of alarm. Tennyson was a man nearing the edge. He was furious, his face red, his jaw working. He readied himself for an attack, just in case.
But what Tennyson did was bang his knife handle on the table, once, twice, then a really hard third time. “You bastard! I did not marry Lily to get her grandmother’s goddamned paintings! That’s absurd. Get out of my house!”
Lily slowly rose to her feet.
“No, Lily, not you. Please, sit down. Listen to me, you must. My father and I are familiar with the excellent work of the folk at the Eureka Art Museum. They have a splendid reputation. When you told me your grandmother was Sarah Elliott—”
“But you already knew, Tennyson. You knew before you met me that first time. And then you acted so surprised when I told you. You acted so pleased that I had inherited some of her incredible talent. You wanted so much to have her paintings here, in Northern California. You wanted them here so you could be close to them, so you could control them. So that when I was dead, you wouldn’t have any difficulty getting your hands on them. Or maybe your father wanted the paintings close? Which, Tennyson?”
“Lily, be quiet, that’s not true, none of it. The paintings are great art. Why should the Chicago Art Institute have them when you live here now? Also, administration of the paintings is much easier when they’re exhibited locally.”
“What administration?”
Tennyson shrugged. “There are phone calls coming in all the time, questions about loaning the paintings out, about selling them to collectors, the schedule for ongoing minor restoration, about our approval on the replacement of a frame. Endless questions about tax papers. Lots of things.”
“There was very little of what you just described before I married you, Tennyson. There was only one contract with the museum to sign every year, nothing else. Why haven’t you said anything about any administration to me? You make it sound like an immense amount of work.”
Was that sarcasm? Savich wondered, rather hoping that it was.
“You weren’t well, Lily. I wasn’t about to burden you with any of that.”
Suddenly, the strangest thing happened. Lily saw her husband as a grayish shadow, hovering without substance, his mouth moving but nothing really coming out. Not a man, just a shadow, and shadows couldn’t hurt you. Lily smiled as she said, “As Dillon said, I’m very rich, Tennyson.”
Savich saw that his brother-in-law was trying desperately to keep himself calm, to keep himself logical in his arguments, not to get defensive, not
“What you’ve been going through—maybe now it’s over. Maybe what happened with the Explorer, maybe that snapped you back. Believe me, dearest, I just want you to get well. I want that more than anything. I want to take you to Maui and lie with you on the beach and know that your biggest worry will be how to keep from getting sunburned. Don’t listen to your brother. Please, Lily, don’t believe there was anything sinister about Lynda’s death. Your brother is a cop. Cops think everyone has ulterior motives, but I don’t. I love you. I want you to be happy, with me.”
Savich, who’d been finishing off his lasagna during this impassioned speech, looked only mildly interested, as if he were attending a play. He laid down his fork and said, “Tennyson, how long has your dad been on the board of the Eureka Art Museum?”
“What? Oh, I don’t know, for years, I suppose. I’ve never really paid any attention. What the hell does that have to do with anything?”
“You see,” Savich continued, “at first we couldn’t figure out why you would want to marry Lily if your motive was to kill her. For what? Then we realized you knew about our grandmother’s paintings. Lily owns eight Sarah Elliotts, worth a lot of money, as you very well know.”
For the first time, Savich felt a mild surge of alarm. Tennyson was a man nearing the edge. He was furious, his face red, his jaw working. He readied himself for an attack, just in case.
But what Tennyson did was bang his knife handle on the table, once, twice, then a really hard third time. “You bastard! I did not marry Lily to get her grandmother’s goddamned paintings! That’s absurd. Get out of my house!”
Lily slowly rose to her feet.
“No, Lily, not you. Please, sit down. Listen to me, you must. My father and I are familiar with the excellent work of the folk at the Eureka Art Museum. They have a splendid reputation. When you told me your grandmother was Sarah Elliott—”
“But you already knew, Tennyson. You knew before you met me that first time. And then you acted so surprised when I told you. You acted so pleased that I had inherited some of her incredible talent. You wanted so much to have her paintings here, in Northern California. You wanted them here so you could be close to them, so you could control them. So that when I was dead, you wouldn’t have any difficulty getting your hands on them. Or maybe your father wanted the paintings close? Which, Tennyson?”
“Lily, be quiet, that’s not true, none of it. The paintings are great art. Why should the Chicago Art Institute have them when you live here now? Also, administration of the paintings is much easier when they’re exhibited locally.”
“What administration?”
Tennyson shrugged. “There are phone calls coming in all the time, questions about loaning the paintings out, about selling them to collectors, the schedule for ongoing minor restoration, about our approval on the replacement of a frame. Endless questions about tax papers. Lots of things.”
“There was very little of what you just described before I married you, Tennyson. There was only one contract with the museum to sign every year, nothing else. Why haven’t you said anything about any administration to me? You make it sound like an immense amount of work.”
Was that sarcasm? Savich wondered, rather hoping that it was.
“You weren’t well, Lily. I wasn’t about to burden you with any of that.”
Suddenly, the strangest thing happened. Lily saw her husband as a grayish shadow, hovering without substance, his mouth moving but nothing really coming out. Not a man, just a shadow, and shadows couldn’t hurt you. Lily smiled as she said, “As Dillon said, I’m very rich, Tennyson.”
Savich saw that his brother-in-law was trying desperately to keep himself calm, to keep himself logical in his arguments, not to get defensive, not
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