Gone, Baby, Gone
her head made an odd up-and-down, up-and-down motion, as if, like a newborn’s, it had lost the support of the neck muscles.
    Gert said, “We believe that’s Amanda’s mother, though it has not been officially confirmed at this time.”
    Helene’s fists hit Lionel’s chest and her eyes snapped open. She wailed and her left hand surged over Lionel’s shoulder, the index finger pointing at something off-camera. It was a live crumbling we were being made witness to on that porch, a deep invasion of the privacy of grief.
    “She seems upset,” Gordon said. That Gordon, nothing slipped past him.
    “Yes,” Tanya agreed.
    “Since time is of the essence,” Gert said, “police are asking for any information, anyone who may have seen little Amanda—”
    “ Little Amanda?” Angie said, and shook her head. “What is she supposed to be at four, humongous Amanda? Mature Amanda?”
    “—anyone who has any information on this little girl—”
    Amanda’s photograph filled the screen.
    “—please call the number listed below.”
    The number for the Crimes Against Children squad flashed below Amanda’s photo for a few moments, and then they cut back to the studio. In place of MISSING CHILD in the pop-up box, they’d inserted the live feed, and a smaller Gert Broderick fondled her microphone and looked into the camera with a blank, vaguely confused look on her blank, vaguely confused face as Helene continued to go ballistic on the porch and Beatrice joined Lionel and tried to hold her in place.
    “Gert,” Tanya said, “have you been able to talk to the mother at all?”
    Gert’s sudden tight smile covered an annoyed spark that crossed her blank eyes like smoke. “No, Tanya. As of yet, the police have not allowed us past that caution tape you see behind me, so, again, we have yet to confirm if Helene McCready is in fact the hysterical woman you see on the porch behind me.”
    “Tragic,” Gordon said, as Helene lunged into Lionel again and wailed so sharply that Gert’s shoulders tensed.
    “Tragic,” Tanya agreed, as Amanda’s face and the phone number for Crimes Against Children filled the screen for another half second.
    “In another breaking story,” Gordon said as they cut back to him, “a home invasion in Lowell has left at least two people dead and a third wounded by gunfire. For that story we go to Martha Torsney in Lowell. Martha?”
    They cut to Martha, and a slash of snow burst across the screen for a split second before being replaced momentarily by a black screen and we settled in to watch the rest of the tape, confident Gordon and Tanya would be there to tell us how to feel about the events transpiring before us, fill in the emotional blanks.
     
    Eight tapes and ninety minutes later, we’d come up with nothing except stiff bodies and an even more depressingly jaded view of broadcast journalism than we’d had before. Except for the camera angles, nothing distinguished one report from another. As the search for Amanda dragged on, the newscasts showed numbingly similar footage of Helene’s house, Helene herself being interviewed, Broussard or Poole giving statements, neighbors pounding the pavements with flyers, cops leaning over car hoods shining flashlights over maps of the neighborhood or reining in their search dogs. And all the reports were followed by the same pithy, rankly maudlin commentary, the same studied sadness and head-shaking morality in the eyes and jaws and foreheads of the newscasters. And now, back to our regularly scheduled program ….
    “Well,” Angie said, and stretched so hard I heard the vertebrae in her back crack like walnuts hit with a cleaver, “outside of seeing a bunch of people we know from the neighborhood on TV, what have we accomplished this morning?”
    I sat forward, cracking my own neck. Pretty soon we’d have a band. “Not much. I did see Lauren Smythe. Always thought she’d moved.” I shrugged. “Guess she was just avoiding me.”
    “Is that the

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