pinches dead stuff off flowers. Her silence jabs him with shame. Her silence tells him what a bad, disappointing person he is. He just doesnât get what she wants from him. The dock rocks as a boat passes, and he hears the clang of Glenn and his husband Craigâs sailboat. They have the biggest house on the dock, and itâs pitching and rocking. He doesnât feel too well, all of a sudden. Itâs anti-magic. He can feel an Ability Drain, levels turning to red.
âBuzz?â Gran says.
Shit! A Breath Weapon, Devil Chills, a Red Ache, Mind Fire. His stomach clutches up and his chest squeezes. Gran is right about him. What was he thinking? His mom is dead, and heâs going on some date?
God, just like that, heâs sobbing like a baby. It comes out of nowhere, an invisible creature. He is felled, and he clutches his bony little gran and cries into her shirt, and itâs pathetic. You never know when these things will happen. One time, he was just brushing his teeth, looking at his frothy mouth in the mirror, when all of a sudden, bam. Grief clutched him in its fist, and he banged his head over and over and over into the bathroom wall. Thereâs a crater in the plaster still, like a meteor struck.
âBuzz.â She sighs. âItâs okay. It is. You can be happy.â Now that she has what she wants from him, now that sheâs dragged him down into feeling like shit, she changes her tune. Her voice is all soft and loving, yanking him back up again. He can see how Gran operates, but it doesnât matter. You can understand a volcano, but itâll still burn and bury you. Youâll still give it thanks if youâre not entirely destroyed.
âI canât.â
âYou need to.â
âA few months is all itâs been.â
âSo much longer. Years. Itâs been years .â
Poor Ginger is losing it inside. She hates when people get upset. Sheâs scratching at the door and whining, and Gran lets her out. Ginger jumps around his legs. He feels her little toenails, trying to say Itâs okay! Iâm here! Dogs just give and give. No matter whatâs happening in their own life, they look after you.
He picks up Ginger. He gazes at her white shag rug face. âStupid dog,â he says, but he means it with so much affection, his heart hurts. One thing he knows, he can love like you wouldnât believe.
Chapter Nine
Mads is lost. She realized that already, but now she is actually, literally lost. She got on the wrong freeway entrance and has ended up here, in some industrial graveyard. There are big warehouses and chain-link fences. There are huge, mysterious metal parts, the knuckles and knees of iron giants. An airplane swoops low and thereâs a shuddering roar. She should never have turned off on that exit. Everyone gets confused down here. Night will fall by the time she finds the freeway again.
Sheâs late. So late. See what trouble that boy has caused already? He distracted her like crazy, and now look. She pulls over into the parking lot of a huge, blank building labeled CTC. Anything could be going on in there. Madsâs phone wonât connect to the Internet. She hunts in Thomasâs glove box for a regular old map, but only finds a pair of winter gloves and a stack of Burger King napkins. Mads calls Suzanne. She tells her sheâs having car trouble (true), that the truck has stopped (true) and that sheâll be right there (mostly true). Suzanne is pissed. People who are always late are the least understanding about you being late.
Mads ventures back into the vast dystopian land of cranes and bridges and manufacturing. She chooses a street. To her new eyes, the sign says EUROPEAN PAINTINGS and not 1ST AVENUE SOUTH. She drives through DUTCH AND FLEMISH 17TH CENTURY and decides to turn down AMERICAN PAINTINGS AND SCULPTURE ( S. SPOKANE STREET ), which leads her neatly to the freeway. A person needs a map, is
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