Empire of the East

Empire of the East by Fred Saberhagen

Book: Empire of the East by Fred Saberhagen Read Free Book Online
Authors: Fred Saberhagen
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carefully in his hands. It was not an Old World thing, he decided, for its shape and joining lacked the incredible precision that distinguished the metalworking of the ancients. It was blackened and battered. Thomas could not read the signs that were graven on it, but as he weighed it in his hands he felt certain that he held some powerful magic. The enemy would hardly freight his couriers with mere gimcracks.
    So the thing must be taken to Loford. Thomas buried the reptile and its emptied pouch with hasty scrapings of sand, to keep the others of its kind from finding it.
    Walking on, he shook the strange case in his hands and could feel a shifting weight inside. He turned it over and over, and felt the natural temptation to open it. But caution prevailed over curiosity, and he thrust it unopened into his pack.
    Looking up again for reptiles, Thomas was pleased to see that the sky was clouding over. If there was to be a peculiar rainy season this year in the desert, well, he would take advantage of it; clouds would hide him from the reptiles better than any of these scanty bushes could.
    As the sun came up a rim of clear sky brightened all around the horizon; but directly overhead a solid low overcast a couple of kilometers in diameter developed. The grayness of it thickened and darkened in swirls and ominous gatherings of vapor, while Thomas mentally cheered it on. A good rain would not only protect him from aerial observation, but could eliminate any chance of his running out of water.
    Thomas sat down for a rest. The clouds showed no inclination to blow in any direction today, the air seemed windless. The first grumble of thunder sounded overhead; the first big drops came pelting down. He put out his tongue to taste them.
    There was a flare and flicker above, then thunder once again. Sullenness growing in the atmosphere, and an electric pause. And then a high-pitched scream, that brought Thomas leaping to his feet and spinning around. From the same direction that he had come, a young woman was now running toward him, some fifty meters away. She wore a simple farm-girl’s dress, and a wide hat such as the folk of the Oasis wore when working their unshaded fields. As she ran toward Thomas she was crying out, “Oh, throw it! Throw it away from you!”
    Some buried part of his mind must have been aware already of the danger, for now he did not hesitate an instant. He scooped the blackened thing of power out of his pack and in the same motion of his arm lobbed the weight of it away from him, putting all his strength into the effort. And then the air seared white around him, and a shock great beyond hearing seemed to tear apart the world.

VI
Technology
    With slow steps Rolf walked twice around the Elephant, keeping a cautious distance from it, holding his torch high.
    Except for the impression that it gave of enormous and mysterious power, this before him did not much resemble the creature depicted in the symbols. This was a flattened metal lozenge of smooth regular curves, built low to the ground for something of its massive size. Here could be seen no fantastically flexible snout, no jutting teeth. There was no real face at all, only some thin hollowed metal shafts projecting all in one direction from the topmost hump. Looking closely Rolf could see that around that hump, or head, were set some tiny glassy-looking things, like the false eyes of some monstrous statue.
    Elephant was legless, which only made it all the more impressive by raising the question of how its obvious power was to be unfolded and applied. Neither were there any proper wheels, such as a cart or wagon had. Instead Elephant rested on two endless belts of heavy, studded metal plates, whose shielded upper course ran higher than Rolf’s head.
    On the dull metal of each flank, painted small in size but with Old World precision, was the familiar sign—the animal shape, gray and powerful, some trick of the painter’s art telling the viewer

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