he finally pulled out three wooden figurines—a lion, an elephant, and an ebony man in tribal dress beating a drum—and handed them to me.
“Say thank you, Bar,” my mother said.
“Thank you,” I muttered.
My father and I both looked down at the carvings, lifeless in my hands. He touched my shoulder.
“They are only small things,” he said softly. Then he nodded to Gramps, and together they gathered up his luggage and went downstairs to the other apartment.
A month. That’s how long we would have together, the five of us in my grandparents’ living room most evenings, during the day on drives around the island or on short walks past the private landmarks of a family: the lot where my father’s apartment had once stood; the remodeled hospital where I had been born; my grandparents’ first house in Hawaii, before the one on University Avenue, a house I had never known. There was so much to tell in that single month, so much explaining to do; and yet when I reach back into my memory for the words of my father, the small interactions or conversations we might have had, they seem irretrievably lost. Perhaps they’re imprinted too deeply, his voice the seed of all sorts of tangled arguments that I carry on with myself, as impenetrable now as the pattern of my genes, so that all I can perceive is the worn-out shell. My wife offers a simpler explanation—that boys and their fathers don’t always have much to say to each other unless and until they trust—and this may come closer to the mark, for I often felt mute before him, and he never pushed me to speak. I’m left with mostly images that appear and die off in my mind like distant sounds: his head thrown back in laughter at one of Gramps’s jokes as my mother and I hang Christmas ornaments; his grip on my shoulder as he introduces me to one of his old friends from college; the narrowing of his eyes, the stroking of his sparse goatee, as he reads his important books.
Images, and his effect on other people. For whenever he spoke—his one leg draped over the other, his large hands outstretched to direct or deflect attention, his voice deep and sure, cajoling and laughing—I would see a sudden change take place in the family. Gramps became more vigorous and thoughtful, my mother more bashful; even Toot, smoked out of the foxhole of her bedroom, would start sparring with him about politics or finance, stabbing the air with her blue-veined hands to make a point. It was as if his presence had summoned the spirit of earlier times and allowed each of them to reprise his or her old role; as if Dr. King had never been shot, and the Kennedys continued to beckon the nation, and war and riot and famine were nothing more than temporary setbacks, and there was nothing to fear but fear itself.
It fascinated me, this strange power of his, and for the first time I began to think of my father as something real and immediate, perhaps even permanent. After a few weeks, though, I could feel the tension around me beginning to build. Gramps complained that my father was sitting in his chair. Toot muttered, while doing the dishes, that she wasn’t anybody’s servant. My mother’s mouth pinched, her eyes avoiding her parents, as we ate dinner. One evening, I turned on the television to watch a cartoon special—
How the Grinch Stole Christmas
—and the whispers broke into shouts.
“Barry, you have watched enough television tonight,” my father said. “Go in your room and study now, and let the adults talk.”
Toot stood up and turned off the TV. “Why don’t you turn the show on in the bedroom, Bar.”
“No, Madelyn,” my father said, “that’s not what I mean. He has been watching that machine constantly, and now it is time for him to study.”
My mother tried to explain that it was almost Christmas vacation, that the cartoon was a Christmas favorite, that I had been looking forward to it all week. “It won’t last long.”
“Anna, this is
“Say thank you, Bar,” my mother said.
“Thank you,” I muttered.
My father and I both looked down at the carvings, lifeless in my hands. He touched my shoulder.
“They are only small things,” he said softly. Then he nodded to Gramps, and together they gathered up his luggage and went downstairs to the other apartment.
A month. That’s how long we would have together, the five of us in my grandparents’ living room most evenings, during the day on drives around the island or on short walks past the private landmarks of a family: the lot where my father’s apartment had once stood; the remodeled hospital where I had been born; my grandparents’ first house in Hawaii, before the one on University Avenue, a house I had never known. There was so much to tell in that single month, so much explaining to do; and yet when I reach back into my memory for the words of my father, the small interactions or conversations we might have had, they seem irretrievably lost. Perhaps they’re imprinted too deeply, his voice the seed of all sorts of tangled arguments that I carry on with myself, as impenetrable now as the pattern of my genes, so that all I can perceive is the worn-out shell. My wife offers a simpler explanation—that boys and their fathers don’t always have much to say to each other unless and until they trust—and this may come closer to the mark, for I often felt mute before him, and he never pushed me to speak. I’m left with mostly images that appear and die off in my mind like distant sounds: his head thrown back in laughter at one of Gramps’s jokes as my mother and I hang Christmas ornaments; his grip on my shoulder as he introduces me to one of his old friends from college; the narrowing of his eyes, the stroking of his sparse goatee, as he reads his important books.
Images, and his effect on other people. For whenever he spoke—his one leg draped over the other, his large hands outstretched to direct or deflect attention, his voice deep and sure, cajoling and laughing—I would see a sudden change take place in the family. Gramps became more vigorous and thoughtful, my mother more bashful; even Toot, smoked out of the foxhole of her bedroom, would start sparring with him about politics or finance, stabbing the air with her blue-veined hands to make a point. It was as if his presence had summoned the spirit of earlier times and allowed each of them to reprise his or her old role; as if Dr. King had never been shot, and the Kennedys continued to beckon the nation, and war and riot and famine were nothing more than temporary setbacks, and there was nothing to fear but fear itself.
It fascinated me, this strange power of his, and for the first time I began to think of my father as something real and immediate, perhaps even permanent. After a few weeks, though, I could feel the tension around me beginning to build. Gramps complained that my father was sitting in his chair. Toot muttered, while doing the dishes, that she wasn’t anybody’s servant. My mother’s mouth pinched, her eyes avoiding her parents, as we ate dinner. One evening, I turned on the television to watch a cartoon special—
How the Grinch Stole Christmas
—and the whispers broke into shouts.
“Barry, you have watched enough television tonight,” my father said. “Go in your room and study now, and let the adults talk.”
Toot stood up and turned off the TV. “Why don’t you turn the show on in the bedroom, Bar.”
“No, Madelyn,” my father said, “that’s not what I mean. He has been watching that machine constantly, and now it is time for him to study.”
My mother tried to explain that it was almost Christmas vacation, that the cartoon was a Christmas favorite, that I had been looking forward to it all week. “It won’t last long.”
“Anna, this is
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