cute!) when we 1st met. But ever since the day
w/LA TRAVIATA, he hasn't even talked to me. He just hangs w/his friends…esp. the evil Barnacle
Girl…so I guess he doesn't think I'm as good as wonderful him. Oh, well.
When I saw Rowena, I asked her why—O, why—she put us together.
She let me know the faculty wasn't exactly thrilled w/my audition (thx, Misty) but that she told them I'd
done really well w/La Traviata (!) "You 2 sound good together…it'll be great."
Great. She gave me Sean's phone # and suggested I call to talk abt. our duet. I left a message on his ans.
machine hours ago, and he hasn't called back.
Also on the upside (the 2nd good news, I guess): Misty didn't get a solo @ all! She has some solo lines in
group #'s and that is IT!
I think I understand the term "poetic justice" now.
The next day, Sean passes me a note in Davis's class.
Any ideas? Opera's not my "aria" of expertise (Haha)
The joke surprises me. So does his asking my advice. I write back:
Rigoletto?
The note comes back almost immediately: Do I get to play a hunchback???
I write back:
Hunchback = Rigoletto = baritone. Duke of Mantua = tenor = you
Bummer! he writes back.
The Duke in Rigoletto is also a big jerk, so that sounds perfect for Sean.
After class, I stand outside waiting for Act Two with Sean. He shows up with, as usual, Misty hanging on
him. I say, "Hey."
Misty keeps talking. "So unfair," she's saying. "They obviously knew who they were going to pick before the auditions. It's all favoritism."
I go through this little dream sequence in my head: I push her out of the way, she topples, propelled
downward by her enormous chest, and can't get up but, instead, lies there, kicking like a cockroach on its
back. And I say, "Excuse me? May I interrupt?"
In real life, I just say, "Excuse me? May I interrupt?"
Misty's face is all, Please die ! but Sean says, "Catch you in class, Mist."
She stomps off. I stand there a minute, and when Sean doesn't say anything, I say, "Can we get together
after school maybe? I have lots of CDs."
"Um, today's difficult."
"Tomorrow, then."
"No, not tomorrow either."
"Well, they're going to start rehearsals soon. Do you plan on being there?"
"When I have to."
"When you have to?"
He looks at me. "You know some people do have other responsibilities in life. We can't all be
princesses."
" Excuse me?"
"Nothing. Forget I said anything."
But I heard him. My throat's all hardening up like it does when I'm about to cry. Tres embarrassing. I try to say something else, I don't know what, something about how I am anything but a princess, or I just want to
do what I'm supposed to, and what's up his butt that he acts like that's a bad thing, but I just walk away.
He follows me. Don't follow me . "Hey, look, I can't do it today. Why don't you bring your CDs tomorrow, and I'll try and listen to them if I get a chance?"
I don't look at him, because I don't want him to see how red my face is. I say, "If you get a chance?"
"Yeah. If I get a chance."
Unreal. I reach my History class. I stand there, and think for a minute, gulping a few times. That's when the
bell starts to ring. I say, "If I get a chance, I'll bring them."
I don't know if he heard me, and I don't care.
Opera_Grrrl's Online Journal
Subject: Un-Stinkin'-Real
Date: September 23
Time: 6:45 p.m.
Listening to: Duets to Die For …searching for a duet w/a great soprano part for me and a sucky tenor part for Sean
Feeling: Angry
Weight: Didn't weigh myself
Where does he get off calling *me* a princess? I'm sooo not a princess. Peyton & Ashley, maybe, but not
me. Just b/c he's PO'd that he doesn't get to sing w/his fat girlfriend doesn't mean he has to take it out on
me. What a SNOT!
After going through every CD I have, I call Rowena.
"What a coincidence. I just got off the phone with Sean about the same thing."
"With Sean?" Seems like I'm all about repeating other people today.
"Yeah, I'm so excited about you two
Richard Montanari
Walter J. Boyne
Victoria Alexander
Mike Barry
Bree Callahan
Stephen Knight
Kit Tunstall, R.E. Saxton
Jon McGoran
Sarah Lovett
Maya Banks