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pumped his arm nearly out of its socket.
    Then he added, And I'm going to publish the autobiography if a goon.

THE WRITER

    The Writer drove his battered GMota across the George Washington Bridge and into Manhattan that same rainy, dreary Saturday morning. But to him, the fabulous skyline of the city sparkled like Arthur's Camelot.
    For hours he drove through the midtown streets, seeing with own eyes for the first time the legendary Saks Fifth Avenue windows, the Cathedral of St. Paul, the United Nations complex, the Empire State Building. It was breathtaking.
    By midafternoon he was running out of gas, with no idea of where a gas station might be, practically no money in his pockets, and not a clue about where he might find a motel room. But he did see a police precinct station halfway down the block, with half a dozen blue-and-white police cars double-parked in the narrow street, blocking traffic almost completely.
    He double-parked behind a police car, got out, and started into the station. Then he remembered he was now in New York City, the Big Apple, and sprinted back to lock the doors of his old hatchback.
    Contrary to what he had been led to expect by watching hundreds of TV police shows, the precinct station house was drowsily quiet this Saturday morning. A few uniformed officers were standing off in the far corner of the room he entered, quietly talking together. Along the side wall stood four squat blue robots, silent and inert. The Writer paid careful attention to the equipment on the human police officers: pistols, stun wands, gas and concussion grenades, bulletproof vests, protective helmets with built-in radios and shatterproof sliding visors. Yes, he was in New York, all right.
    The sergeant behind the desk was neither friendly nor gruff, just totally impersonal. He seemed to be looking through the writer instead of at him.
    "Excuse me," said the Writer.
    The desk sergeant sat up on a raised platform, like a judge. He seemed to take in the Writer's presence at a glance, his faded jeans and checkered polyester sports jacket. He made the barest perceptible motion of his head. Otherwise he remained as stolid as a robot.
    "I just got into town, and I'm looking for a place to stay. Can you recommend—"
    "Traveler's Aid," snapped the desk sergeant.
    " 'Scuse me?"
    "Grand Central Concourse. Traveler's Aid."
    The Writer scratched his head.
    Leaning forward slightly and peering down at the writer, the desk sergeant said slowly and carefully, as if speaking to a retarded child, "Go to Grand Central Station. That's at Forty-second Street and Park Avenue. Ask any officer there and he, she, or it will direct you to the Traveler's Aid desk. The people there will help you to find a hotel. Understand?"
    The Writer nodded vaguely.
    The desk sergeant started to repeat his instructions, this time in Spanish: "Vaya a Grand Central Estacion . . ."
    The Writer backed away, muttering his thanks and wondering if the desk sergeant actually was a robot.
    Outside, it was drizzling again. But that was nothing compared with what had happened to the Writer's faithful old hatchback. Vandals had taken all four wheels, popped the hood and stolen the battery, the distributor, and all four sparkplugs, jimmied the hatch and taken his only suitcase, ripped out the seats, the radio, and the hand-stitched snakeskin steering wheel cover that his mother had made for him many Christmases ago, and broken each and every one of the windows. In front of the police station.
    The Writer gasped and gaped at the pillaged remains of his car. Then he noticed a piece of paper stuck in the one remaining windshield wiper. A ticket for double parking.
    He sank down onto the curbstone and cried.

TEN

    For the fiftieth time that cheerless Saturday Carl picked up the telephone, then slammed it back down again. He paced to the window of his sparse hotel room again and looked out at the rain. It spattered the puddles growing on the rooftops across the street, it

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