shifts for a year, and Tianna did a few movies, and, somehow (Rush didnât quite know how) they paid off the debt. Then they got married, Tianna retired, and they lived happily ever after. Until Walter Trask went and drowned himself.
âWhereâs Guzman?â Rush asked Tianna when she opened her front door.
They must have been doing well the past few years, Rush thought. This little bungalow in Manhattan Beach was close enough to the water to cost a million and change. She let him in, and they sat in the diningroom, with its white table and picture-perfect view of the ocean across two blocks of rooftops.
They could have done a lot of catching up. Rush had always liked Tianna, and Tianna had always liked Rush, only partly because he was one of the few men she knew who didnât put the moves on her when Guzmanâs back was turned. But now wasnât the time for a reunion.
âI donât know where he is, Crush,â she said, and he knew she was lying. Sheâd never been good at faking it. That was why she hadnât made it in the movies.
âTell him I need to talk to him,â he said and left.
TWELVE
R ush sat behind the wheel in front of a rundown church on Fairfax Avenue and watched a group of middle-aged men walk out of the rectory door, chatting. One of them, with a mop of white hair above an incongruously youthful face, spotted Rush and moved to him. He moved rapidly, too, with a little skip in his step. Everything about Bill Ingol was youthful except for his age. He rapped on the window of the GTO and waited with a wry smile for Rush to roll it down.
âCaleb,â he said. âMissed you at the meeting. Havenât seen you at one in a while.â It was actually a long while, but he didnât have to say it.
âBeen busy.â
âDid you get yourself a new sponsor?â
âIâm kinda working the program on my own these days.â
âYeah. You know what they call people who work the program on their own, donât you?â
âI know. Drunks.â
âAs long as you know.â Bill was a retired screenwriter. Retired not by choice, but by the unwritten law that if you were old enough to remember seeing the original Star Trek in its first showing, you were too old to write the remake.
âIâm all right. Listenâdo you still sponsor Tony Guzman?â
Bill nodded.
âHowâs he doing?â Rush asked.
âGood. His eighth sober birthdayâs next month. Wanna come help blow out the candles?â
âSo heâs not drinking again?â
âNo. Somebody say he was?â
âTell him I need to see him. You know, if you happen to speak to him.â
Bill nodded. âIâll see what I can do.â
Camphor-tree branches reached toward each other across the street, and the leaves met overhead, making the road into a beautiful green tunnel, but Stegner didnât notice that. The street in South Pasadena was so picturesque that twice a month it was invaded by film crews in search of the perfect suburban neighborhood. Stegner didnât appreciate that either. He was too busy casing the house across the street.
A huge Craftsman bungalowâall heavy wood beams and dark green shinglesâwas the address theagency had given him. Someone had spent a lot of money in the past few years restoring that big old house and, right now, a horde of eight-year-olds was doing its best to destroy it. Balloons festooned the trees, streamers entwined the porch, and a banner ran across the front of the house: HAPPY 8 TH BIRTHDAY, EVAN!!!
Stegner felt a little pang as he watched the bounce house rock back and forth in the side yard. He hadnât seen his own son for, what was it, three months now? Why didnât he miss him? Was it his fault that Lydia was a total bitch, taking Richie to Connecticut without so much as a by-your-leave? What was he supposed to do? Move to Bridgeport and start over from
Jayne Ann Krentz
Robert T. Jeschonek
Phil Torcivia
R.E. Butler
Celia Walden
Earl Javorsky
Frances Osborne
Ernest Hemingway
A New Order of Things
Mary Curran Hackett