‘Edinburgh’s Waterfront’. As Leith was associated with Hibernian Football Club and he was a Hearts fan, he’d enjoyed referring to his new flat as being ‘in the Waterfront district’.
— See that, Starry says, looking to Lennox, — you gringos can’t see the difference between the Latino neighbourhoods!
Lennox has to concede that his eyes detect little divergence in the dimly lit streets they drive through, all of which are cut into uniform blocks. This area doesn’t seem hugely affluent, but it isn’t a ghetto either. Most of the homes on these blocks are low-rise dwellings of one storey. When they drive through the backstreets, interior and porch lights illuminate some houses showing him, on closer examination, that no two domiciles are alike. Some fronts and gardens are well kept, to the point of obsession. Others are dumping grounds. Lennox guesses a mix of owner occupancy and rented accommodation. Robyn’s place is different; it’s in a gated apartment block, the stucco-fronted building painted a pastel orange illuminated by uplit wall lamps with a driveway for parking. An aluminium panel of intercom buzzers announces twelve dwellings, confirmed by the number of mailboxes in a chaste, functional hallway navigated by low-level night lights.
He’s used to mounting steep Edinburgh tenement stairs, but chemical impatience and the slight gradient on these tiled platforms compel him to take two at once in long, loping strides. Robyn’s place is on the top floor, two up from ground level. Prospecting a key from the chaos in her bag, she whispers, — Shhh, as she opens the door. Lennox feels Starry’s hand nestling on his arse. He lets it hang for a bit, then moves off down the hallway, passing a table with a phone on it, above which sits a large whiteboard full of numbers and messages. Stung, Lennox quickly turns away, moving into a front room whose chattels suggest a furnished tenancy; the black leather sofa, with fawn-coloured throw and matching chairs belong to some ubiquitous 1980s warehouse that seems to supply rentals in every city he’s visited. These sit on oak hardwood floors, with a rug in the middle that looks more expensive than it probably is. A smoked-glass coffee table is stacked with magazines; the garish glint from the light above reflecting on to that cocaine accessory seems to be issuing a challenge to him. An alcove, fringed by Christmas fairy lights, leads through to a small terracotta-tiled kitchen.
— Nice place, Lennox observes.
Robyn tells him that she’s been here for a year. She’d come from south Alabama and moved over to Jacksonville with her daughter (it sounds like ‘daw-rah’ to his ears) in search of work. After that dried up she’d headed further south, first to Surfside where she’d briefly worked in a residential home, and then down here. She explains that the rent’s cheap and it was convenient for her job in a daycare centre. — But I had to stop working there, she says guiltily, — to spend more time with my daughter.
— How old is she?
— Ten. She flushes with pride, then departs to check on the kid.
Lennox catches Starry regarding her exiting friend with a primal malevolence so poisonous she’s briefly flustered that he’s noticed. Defensively, she tips back her head, pushing out her mouth with its lipstick gleam.
Robyn returns, closing the lounge door behind her. — Fast asleep, she announces with relief. She tells him there have been problems at the school with the daughter. Most of the kids talked Spanish at home and in the schoolyard, so Tianna, that’s the girl’s name, feels isolated. — She’s gotten so withdrawn lately, Robyn says sadly, then catches Starry’s disapproving scowl and quickly switches into breezy mode, — but hey, this is a party. Right?
— Right, Lennox acknowledges, slumping on to the couch, his eye falling on a dark stain on the hardwood floor spilling out from under the rug. About to comment, he hastily
Charles Sheehan-Miles
Charles Bukowski
Emma Carr
Joyce Cato
Ava Claire
Danielle Steel
Yvonne Woon
Robert J. Crane
Orson Scott Card
Nikos Kazantzakis