kids around here. It’s a city-owned right-of-way-the only undeveloped land in the neighborhood. So they went up there to play. Some of the neighbors thought the older ones went up there to smoke cigarettes, and the concern was they would set the whole hillside on fire.”
“How long ago are you talking about?”
“Like when I first moved here. I didn’t get involved. The neighbors who had been here took care of it.”
Bosch moved down the hall. It was a small house, not much bigger than his own. The hallway ended at a conjunction of three doors. Bedrooms on the right and left and a linen closet in the middle. He checked the closet first, found nothing unusual, and then moved into the bedroom on the right. It was Trent’s bedroom. It was neatly kept but the tops of the twin bureaus and bed tables were cluttered with knickknacks that Bosch assumed Trent used on the job in helping to turn sets into real places for the camera.
He looked in the closet. There were several shoe boxes on the upper shelf. Bosch started opening them and found they contained old, worn-out shoes. It was apparently Trent’s habit of buying new shoes and putting his old ones in the box, then shelving them. Bosch guessed that these, too, became part of his work inventory. He opened one box and found a pair of work boots. He noticed that dirt had dried hard in some of the treads. He thought about the dark soil where the bones had been found. Samples of it had been collected.
He put the boots back and made a mental note of it for the search warrant. His current search was just a cursory look around. If they moved to the next step with Trent and he became a full-fledged suspect, then they would come back with a search warrant and literally tear the place apart looking for evidence tying him to the bones. The work boots might be a good place to start. He was already on tape saying he had never been up on that hillside. If the dirt in the treads matched the soil samples from the excavation, then they’d have Trent caught in a lie. Most of what sparring with suspects was about was the locking in of a story. It was then that the investigator looked for the lies.
There was nothing else in the closet that warranted Bosch’s attention. Same with the bedroom or the attached bathroom. Bosch, of course, knew that if Trent was the killer, he’d had many years to cover his tracks. He would also have had the last three days-since Edgar first questioned him during the canvas-to double-check his trail and be ready.
The other bedroom was used as an office and a storage room for his work. On the walls hung framed one sheets advertising the films Bosch assumed Trent had worked on. Bosch had seen some of them on television but rarely went to theaters to see movies. He noticed that one of the frames held the one sheet for a film called The Art of the Cape. Years before, Bosch had investigated the murder of that film’s producer. He had heard that after that, the one sheets from the movie had become collector items in underground Hollywood.
When he was finished looking around the rear of the house, Bosch went through a kitchen door into the garage. There were two bays, one containing Trent’s minivan. The other was stacked with boxes with markings on them corresponding to rooms in a house. At first Bosch was shocked at the thought that Trent had still not completely unpacked after moving in nearly twenty years before. Then he realized the boxes were work related and used in the process of set decoration.
When he turned around he was looking at an entire wall hung with the heads of wild game, their black marble eyes staring at him. Bosch felt a nerve tickle run down his spine. All of his life he had hated seeing things like that. He wasn’t sure why.
He spent another few minutes in the garage, mostly going through a box in the stack that was marked “boy’s room 9-12.” It contained toys, airplane models, a skateboard, and a football. He took the skateboard
“How long ago are you talking about?”
“Like when I first moved here. I didn’t get involved. The neighbors who had been here took care of it.”
Bosch moved down the hall. It was a small house, not much bigger than his own. The hallway ended at a conjunction of three doors. Bedrooms on the right and left and a linen closet in the middle. He checked the closet first, found nothing unusual, and then moved into the bedroom on the right. It was Trent’s bedroom. It was neatly kept but the tops of the twin bureaus and bed tables were cluttered with knickknacks that Bosch assumed Trent used on the job in helping to turn sets into real places for the camera.
He looked in the closet. There were several shoe boxes on the upper shelf. Bosch started opening them and found they contained old, worn-out shoes. It was apparently Trent’s habit of buying new shoes and putting his old ones in the box, then shelving them. Bosch guessed that these, too, became part of his work inventory. He opened one box and found a pair of work boots. He noticed that dirt had dried hard in some of the treads. He thought about the dark soil where the bones had been found. Samples of it had been collected.
He put the boots back and made a mental note of it for the search warrant. His current search was just a cursory look around. If they moved to the next step with Trent and he became a full-fledged suspect, then they would come back with a search warrant and literally tear the place apart looking for evidence tying him to the bones. The work boots might be a good place to start. He was already on tape saying he had never been up on that hillside. If the dirt in the treads matched the soil samples from the excavation, then they’d have Trent caught in a lie. Most of what sparring with suspects was about was the locking in of a story. It was then that the investigator looked for the lies.
There was nothing else in the closet that warranted Bosch’s attention. Same with the bedroom or the attached bathroom. Bosch, of course, knew that if Trent was the killer, he’d had many years to cover his tracks. He would also have had the last three days-since Edgar first questioned him during the canvas-to double-check his trail and be ready.
The other bedroom was used as an office and a storage room for his work. On the walls hung framed one sheets advertising the films Bosch assumed Trent had worked on. Bosch had seen some of them on television but rarely went to theaters to see movies. He noticed that one of the frames held the one sheet for a film called The Art of the Cape. Years before, Bosch had investigated the murder of that film’s producer. He had heard that after that, the one sheets from the movie had become collector items in underground Hollywood.
When he was finished looking around the rear of the house, Bosch went through a kitchen door into the garage. There were two bays, one containing Trent’s minivan. The other was stacked with boxes with markings on them corresponding to rooms in a house. At first Bosch was shocked at the thought that Trent had still not completely unpacked after moving in nearly twenty years before. Then he realized the boxes were work related and used in the process of set decoration.
When he turned around he was looking at an entire wall hung with the heads of wild game, their black marble eyes staring at him. Bosch felt a nerve tickle run down his spine. All of his life he had hated seeing things like that. He wasn’t sure why.
He spent another few minutes in the garage, mostly going through a box in the stack that was marked “boy’s room 9-12.” It contained toys, airplane models, a skateboard, and a football. He took the skateboard
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