spent her girlhood on a farmstead where her mother had been a maid-of-all-work. Ophelia had fed the chickens, milked the cows, and in the summertime, supervised a bratty herd of goats as they foraged along sloping green meadows. Later, when sheâd joined P. Q. Putnamâs Traveling Circus, sheâd been not only a trick rider, but assistant to a poodle who leapt through hoops.
For some reason, this all came to mind as she regarded Griffe and his lionlike aspect.
âMademoiselle Stonewall,â he said with a gruff French accent, âI beg of you, what is your given name? I shall perish, perish like the buffalo of your American soil, if you do not consent to bestow upon me that small morsel.â
He was a regular Lord Byron, wasnât he? Well, surely there was no harm in telling him her real given name. âMy name is Miss Ophelia Stonewall.â
Griffe kissed her hand. â
Merci
, ah,
merci
! Mademoiselle Ophelia Stonewall. Like an angelâs name, no?â
Ophelia yanked her hand from his grasp. âIâve always thought it sounded a little forbidding.â
âI fall at your feet in shame, please, if I have offended you. Please, where are you from?â
âFrom? Ohââ
âOhio? I have heard of it.â
âYes. Ohio. Cleveland, Ohio.â
âI, myself, am from the Périgord, a most beautiful region to the south. Cleveland. Your family has been settled there long?â
âNot terribly. My father is aâa soap manufacturer. Tallow, you know.â
âA soap and tallow heiress?
Magnifique
.â
âHeiress? Well, I . . .â Ophelia
was
wearing a gown and mantle that had probably cost more than most folksâ yearly wages. The mantle, by the by, had become stifling. She was going to have to bite the bullet and take it off. âYes,â she said, sliding it from her shoulders, âPapa has met with good fortune.â She sighed in relief as cooler air flowed over her neck and shoulders.
Griffeâs eyes were glued to her bodice. Pinning it hadnât helped, so Ophelia had had no choice but to stuff it full of rolled-up stockings. The result was the sort of hourglass shape one only saw in fashion plates.
âPerhaps, Mademoiselle Stonewall, I might call upon you at your residence tomorrow?â
âOh. Well. Not tomorrow.â
Mercifully, the lights dimmed and the second act overture began. Ophelia edged away from Griffe to a seat at the front railing.
The professor sat beside her. âHave you and the Count de Griffe much in common?â
âNot a drop.â Ophelia willed her bosom to deflate.
âDid you accuse him of murder?â
âCertainly not. I donât know why, but I simply canât believe he would hurt a fly.â
âReally.â Penroseâs eyes slid sideways, lit for a fraction of a second on her bosom, and then met her gaze. âYou didnât . . . give anything away, did you? About our inquiries?â
The professor wasnât going to mention her faux bosom, then. Heâd seen her real, beanstalkish shape in everyday garb back in Germany.
âIâll give away whatever I please,â Ophelia said, warm with embarrassment.
*Â Â Â *Â Â Â *
The balletâs second act was even more marvelous than the first. The centerpiece was an enormous, orange-painted mechanical pumpkin. When the music escalated and Cinderellaâs fairy godmother waved her wand, the pumpkin contraption slowly unfurled like an enormous blossom and the middle of it rose up. The pumpkin had become a glistening golden coach.
Oooooo
, the thousands of people in the audience breathed.
Ahhhhh
.
Ophelia glanced at Colifichet. He looked mighty pleased with himself. The apprentice Pierre rested his chin in his hand, elbow on the railing, frowning. The prince and the count were helping themselves to more brandy.
The music swirled and the fairy godmother transformed
Melissa Senate
Sam Wasson
Robert Dugoni
W. Freedreamer Tinkanesh
Robert James
Steve Cash
Jeyn Roberts
Anne Saunders
John Hagee
Justin Woolley