what she said about everybody hating me.
Daxter is asleep on Emily’s bed when I finally hit the sack.
I lie in the darkness, thinking about my dead family and the man who made them that way. I wish that in this average house in this average street nothing bad had ever happened, but it’s already too late.
chapter fourteen
I end up sleeping in, which isn’t a good start to the case. When I flip open my cellphone I find that it has given up. The trip into the lake was worse for it than I thought. I shake it a bit and flex the casing, and I slip the battery in and out and try plugging it into the mains, but nothing happens. I have no idea how many
calls I’ve missed.
I drive through the city thinking that Christchurch and
technology go together like drinking and driving: they don’t
mix well, but some still think it’s a good idea. Everything here looks old, and for the most part it is. People living in the past have set historical values on buildings dating back over a hundred years, and have had them protected from the future. Investors
can’t come along and replace them with high-rises and apartment complexes. It’s a cold-looking city made to look even colder in the dreary weather. Everything looks so damn archaic. Even the hookers look fifty years old. A glue sniffer on a mountain bike has a cardboard tube running from his mouth down to the plastic bag by the handlebars. He’s multi-tasking. He’s sniffing glue and riding on the footpath, and he can keep doing both without the distraction of lifting the bag to his face.
It’s only eleven in the morning, yet I struggle to find a park at the shopping mall. I squeeze in next to a boy-racer Skyline that looks expensive and suggests the guy driving it has a job, though if he’s here at the same time as me on a weekday then he probably doesn’t, unless he’s a private investigator. I head into a Telecom store and deal with a guy who seems more interested in staring across the mall at the hairdresser’s than he does at the phone I’m showing him. I look over at the hairdresser’s and can’t blame
him.
‘It’s cheaper to upgrade,’ he says, ‘than get this thing fixed. Plus it’ll be away for a few weeks. What did you do to it, anyway?’
‘It fell in the bath.’
‘Yeah — that’ll do it. Anyway, this thing is obsolete.’
“I bought it eighteen months ago.’
‘Yeah, like I said, it’s obsolete.’
He shows me a range of cellphones and I pick out one that
looks like it shouldn’t confuse me too much. He sets it up so my old number will work on it, and warns me it could take between one and two hours to become active.
‘Where do I recognise you from?’ he asks, handing back my
credit card.
I shrug. ‘Beats me.’
He slowly shakes his head. ‘I’m sure I’ve seen you,’ he says.
I’m sure he has too — probably on TV yesterday when I was
sitting in the back of an ambulance. We finish up and I let him get back to watching the hairdresser’s.
The police station is ten storeys of concrete block and glass
that was out of date around the same time it was built. I park out on the street and feed the meter before walking up the steps to the foyer. There isn’t much going on at ground-floor level, just a few people waiting in a queue to make complaints. I sign in at a desk; the process is simple enough since I’m expected upstairs.
I press the up button and a moment later the elevator arrives. I hit the button for the fourth floor, and the elevator comes to a stop on the first floor and I have company. A guy in overalls, thirtyish, carrying a bucket and mop.
‘I’m the cleaner,’ he says, and he grins at me, showing me all his teeth. I smile back at him, and the elevator hits the fourth floor and the doors open. I step out, and the janitor follows. We walk a few paces before Carl Schroder sees us and comes over.
‘Can I get you a coffee, Detective Schroder?’ the janitor asks him.
‘I’m fine, Joe. Thanks,
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Mario Giordano
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Geraldine Brooks
Jack Skillingstead
Anne Kane
Kinsley Gibb