are large transmission towers growing out of the fields and shrinking off into the distance. The road markings are all faded from the sun and worn from constant traffic. Mailboxes stand to attention every kilometer or so where gravel roads twist off from the highway between fields of gorse, winding their way toward large farmhouses built to capture the sun.
The prison is hidden out of sight beyond fields of trees, wellaway from homes that escapees would visit within minutes of being on the run. The complex is a mixture of several buildings, several wings, all made up of concrete blocks and interconnected with more concrete blocks, the whole place with an industrial feel, as if inside are not the condemned, but men welding steel and creating the machinery that runs this city. Just concrete and steel everywhere, and wire too—plenty of razor-sharp wire tying the look together. A couple of guard towers up in the corners, unarmed men up in them staring down, ready to sound the alarm at the first sign of trouble. Behind it all the tall skeletons of cranes at work, dust in the air kicked up by heavy equipment, engine noise from the bulldozers and cement mixers carrying for miles. There’s a long wing with scaffolding erected near the end and workmen busy on extending it, big burly men covered in grease and sweat who all possibly live within the walls they’re creating.
The visitors’ entrance is far more modern, like the entrance to a three-star hotel. There are large glass doors that seem as though they could be opening into a well-furnished foyer. The entire thing has the fresh look of renovations, and I wonder about the reasoning behind it. I’m not sure how it looked in the past, but the last few years have seen plenty of add-ons and updates to accommodate the new and the aspiring criminals this city is producing. Already some of the large open grounds out here have been zoned for more buildings, more cells, more inmates, and the grounds immediately nearby are already being converted. There have been editorials in the papers lately suggesting they build the concrete walls around Christchurch City and save some time; some even think we should take the biblical route and fill those walls up with water. I never believed them. I never knew Christchurch was really this bad—but now I know it’s worse.
There is a landscaped garden with a lush lawn heading toward the glass doors. I’m not sure what image they’re trying to sell here, but the whole thing seems very corporate. The doors open and it’s air-conditioned inside, which is a relief, because the parking lot with the asphalt has to be over forty degrees. A woman watches me from behind a reception counter with Plexiglas separating her from me.There are two men back there with her also. Three video surveillance cameras stare down at me from different angles within the room.
“Can I help you, sir?”
It’s like a bank in here, large potted plants, chairs everywhere, the counter with the smiling woman. If six armed men burst into this room I don’t think they’d get far. For the hundredth time today I wonder where those men are, and know they’re about as far away from this prison as you can get.
“Sir?”
The visitor’s entrance may be fresh and friendly, but the woman behind the desk is not. She’s in her forties with the kind of steely look that could scare half of the inmates straight. “Ah, yeah, I’m here to visit somebody.”
“Name?”
“Mine or his?”
“Both.”
“Ah, I’m Jack Hunter,” I say, hating the sound of the name, and saying it because that’s the name my dad will have given them. “My dad is . . .”
“Jack the Hunter,” she says, and she flinches away from me, just a little, but enough to notice. “Hang on a moment,” she says, and she buzzes for one of the guards. “Take a seat.” I do as she says in case she stands up and throws me into one.
It takes a couple of minutes for the guard to appear. He’s older than
The prison is hidden out of sight beyond fields of trees, wellaway from homes that escapees would visit within minutes of being on the run. The complex is a mixture of several buildings, several wings, all made up of concrete blocks and interconnected with more concrete blocks, the whole place with an industrial feel, as if inside are not the condemned, but men welding steel and creating the machinery that runs this city. Just concrete and steel everywhere, and wire too—plenty of razor-sharp wire tying the look together. A couple of guard towers up in the corners, unarmed men up in them staring down, ready to sound the alarm at the first sign of trouble. Behind it all the tall skeletons of cranes at work, dust in the air kicked up by heavy equipment, engine noise from the bulldozers and cement mixers carrying for miles. There’s a long wing with scaffolding erected near the end and workmen busy on extending it, big burly men covered in grease and sweat who all possibly live within the walls they’re creating.
The visitors’ entrance is far more modern, like the entrance to a three-star hotel. There are large glass doors that seem as though they could be opening into a well-furnished foyer. The entire thing has the fresh look of renovations, and I wonder about the reasoning behind it. I’m not sure how it looked in the past, but the last few years have seen plenty of add-ons and updates to accommodate the new and the aspiring criminals this city is producing. Already some of the large open grounds out here have been zoned for more buildings, more cells, more inmates, and the grounds immediately nearby are already being converted. There have been editorials in the papers lately suggesting they build the concrete walls around Christchurch City and save some time; some even think we should take the biblical route and fill those walls up with water. I never believed them. I never knew Christchurch was really this bad—but now I know it’s worse.
There is a landscaped garden with a lush lawn heading toward the glass doors. I’m not sure what image they’re trying to sell here, but the whole thing seems very corporate. The doors open and it’s air-conditioned inside, which is a relief, because the parking lot with the asphalt has to be over forty degrees. A woman watches me from behind a reception counter with Plexiglas separating her from me.There are two men back there with her also. Three video surveillance cameras stare down at me from different angles within the room.
“Can I help you, sir?”
It’s like a bank in here, large potted plants, chairs everywhere, the counter with the smiling woman. If six armed men burst into this room I don’t think they’d get far. For the hundredth time today I wonder where those men are, and know they’re about as far away from this prison as you can get.
“Sir?”
The visitor’s entrance may be fresh and friendly, but the woman behind the desk is not. She’s in her forties with the kind of steely look that could scare half of the inmates straight. “Ah, yeah, I’m here to visit somebody.”
“Name?”
“Mine or his?”
“Both.”
“Ah, I’m Jack Hunter,” I say, hating the sound of the name, and saying it because that’s the name my dad will have given them. “My dad is . . .”
“Jack the Hunter,” she says, and she flinches away from me, just a little, but enough to notice. “Hang on a moment,” she says, and she buzzes for one of the guards. “Take a seat.” I do as she says in case she stands up and throws me into one.
It takes a couple of minutes for the guard to appear. He’s older than
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