Anno Dracula

Anno Dracula by Kim Newman Page B

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Authors: Kim Newman
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addressing sarcasms directly to the dress circle, affording the actor-manager Charles Wyndham opportunities to demonstrate his aptitude for aphorism. Frequent changes of costume and backdrop took the characters from London to the country to Italy to a haunted castle and back again. By the final curtain, lovers were reconciled, cads were ruined, fortunes inherited justly and secrets exposed without harm. Barely an hour after the last act, Penelope could accurately describe to the smallest detail each of the heroine’s gowns but could not recall the name of the actress who took her part.
    ‘Penny, darling,’ came a tiny, grating voice. ‘Florence, and Lord Godalming. Hail and well-met.’
    It was Kate Reed, in a drab little dress, trailing a jowly new-born Penelope knew to be her Uncle Diarmid. A senior staffer at the Central News Agency, he was sponsor to the poor girl’s so-called career in cheap journalism. He had a reputation as one of the grubbiest of the Grub Street grubs. Everyone except Penelope found him amusing, and so he was mostly tolerated.
    Art wasted his time kissing Kate’s knuckly hand and she turnedred as a beetroot. Diarmid Reed greeted Florence with a beery burp and enquired after her health, never a sound tactic in the case of Mrs Stoker, who was quite capable of describing extensive infirmities. Mercifully, she took another tack and asked why Mr Reed had lately not been attending the after-darks.
    ‘We quite miss you in Cheyne Walk, Mr Reed. You always have such stories of the highs and lows of life.’
    ‘I regret that I’ve been trawling the lows of late, Mrs Stoker. These Silver Knife murders in Whitechapel.’
    ‘Dreadful business,’ spluttered Art.
    ‘Indeed. But deuced good for the circulation. The Star and the Gazette and all the other dogs are in it to the death. The Agency can’t keep them fed. They’ll take almost anything.’
    Penelope did not care for talk of murder and vileness. She did not take the newspapers, and indeed read nothing but improving books.
    ‘Miss Churchward,’ Mr Reed addressed himself to her, ‘I understand congratulations are the order of the day.’
    She smiled at him in such a way as not to line her face.
    ‘Where’s Charles?’ asked Kate, blundering as usual. Some girls should be beaten regularly, Penelope thought, like carpets.
    ‘Charles has let us down,’ Art said. ‘Most unwisely, in my opinion.’
    Penelope burned inside, but hoped it did not show on her face.
    ‘Charles Beauregard, eh?’ said Mr Reed. ‘Good man in a pinch, I understand. You know, I could swear I saw the fellow in Whitechapel only the other night. With some of the detectives on the Silver Knife case.’
    ‘That is highly unlikely,’ Penelope said. She had never been to Whitechapel, a district where people were often murdered. ‘I cannot imagine what would take Charles to such a quarter.’
    ‘I don’t know,’ said Art. ‘The Diogenes Club has queer interests, in all manner of queer quarters.’
    Penelope wished Art had not mentioned that institution. Mr Reed’s ears pricked up and he was about to quiz Art further when they were all saved from embarrassment by another arrival.
    ‘Look,’ squealed Florence with delight, ‘at who has come again to plague us with his incorrigibility. It’s Oscar.’
    A large new-born with plenty of wavy hair and a well-fed look was swanning over to them, green carnation in his lapel, hands in his pockets to bulge out the front of his striped trousers.
    ‘Evening, Wilde,’ said Art.
    The poet sneered a curt ‘Godalming’ of acknowledgement at Art, and then extravagantly paid court to Florence, pouring so much charm over her that a quantity of it naturally splashed over on to Penelope and even Kate. Mr Oscar Wilde had apparently once proposed to Florence, when she was Miss Balcombe of Dublin, but been beaten out by the now-never-mentioned Bram. Penelope found it easy to believe Wilde might have made proposals to a number of

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