dispenser—as a potential plaything. In the middle of a serious conversation about the Supreme Court or chlamydia, you would catch him poking straightened paper clips into a sponge, staging a mock naval battle with dry macaroni, or rolling his pocket lint into the shapes of animals and setting them on parade. I mention the pill dispenser because this was the item that had precipitated his break with Kim.
“They make really cool spaceships,” said Harry. He sagged to his knees and began to sweep up the broken dishes with his hands. “When you turn the dial, you can pop the pills out like little, uh, hormone bombs. Pow. Pow. An entire population suddenly unable to conceive.”
“Harry,” I said. “Come on upstairs. I’m going to bed now.”
“There’s this way you can make them shoot really far.”
“Leave the mess. Come on.”
I took him by the arm, guided him to the steps, and gave him a little push. He returned the push, more forcefully, and I fell backward. My head cracked against the floor and I heard within my skull the sound of a rock hitting a sheet of taut aluminum. I smelled blood in my nose and I imagined, for a half second, that I was about to pass away. I lived.
“Stay away from her,” he said. “I know what you have in mind.”
It was a while before I was able to speak. “You asshole,” I said. “I don’t have anything in mind.”
This was not, I realized as I said it, entirely true. I had already begun to form vague plans to unbutton Kim’s blouse, remove her cowboy boots, peel off her blue jeans, and lick her body from sole to crown. The pain in my head was all at once as nothing.
“Oh, my God, you’re bleeding, Vince,” said Harry. He extended a hand and then pulled me to my feet. I touched a finger to my nose and smiled at him.
“You just made a big mistake,” I said.
I awoke early that afternoon, showered, and performed my toilet with the care of a man intent on seduction. Kim worked as a waitress at the Squirrel Cage and did not go on until evening, and I expected to find her at home. I had come to believe in my interchangeability with Harry so completely that it did not occur to me that Kim would have any qualms about going to bed with a new partner while still in the midst of a painful breakup; I simply assumed that she would have me, as she would have had Harry, as though he’d called in sick and I were the equally qualified temporary sent by some Kelly Services of love. I had known her as long as he had, and we got along well. She was a thin, raspy-voiced woman with a sarcastic manner, expressive hands, and a respectable knowledge of what is sometimes known as industrial rock—a particular favorite of mine. I had taken her once to see my friend Lee Skirboll perform in a band called Hex Wrench, for which Lee beat on a steel filing cabinet with an assortment of golf clubs and spatulas while his partner sat in on tape deck, amplified shortwave radio, and a bank of old-fashioned Philco sine-wave generators supplied, without his knowing it, by Mr. Levinsky. Kim had enjoyed it, and, I now reminded myself, lathering my chin with increasing zeal, there had been a furtive kiss and hand squeeze in the instant before we’d gone into the bar, where we were rendezvousing with Harry, who liked only Debussy, DeFalla, and Erik Satie.
When I came out to the dining table—the heat was turned off again, and I wore my gloves and a hat—there was a note from Harry propped against the sugar bowl. “ SORRY ,” it read, “ JESUS, WHAT A HEADACHE I HAVE, YOU MUST TOO. SORRY SORRY SORRY. H ” As a matter of fact, I had a rather large lump on the back of my head, and a faint sensation of pain if I turned too quickly; otherwise I was all right. Beside the note were looped five dozen yards of very thin telephone wire, in seven colors with contrasting stripes, that Harry had been experimenting with recently for his long-planned masterpiece, Aporia—ran “inverted board game” whose rules
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