what was right, and now he laid Yuan’s verses down and he pushed his spectacles and said half-thinkingly, and picking up the next paper, “Not very clear, I fear, in your mind. … Now, here’s a better one, called ‘A Walk on a Summer’s Day’—very nice—I’ll read it.” It was Sheng’s verse for that day.
Yuan fell to silence and kept his thoughts to himself, listening. He envied Sheng his pretty, swiftly running thoughts and pure rhymes; yet it was not bitter envy, either, but very humble and admiring envy, even as Yuan loved secretly his cousin’s handsome looks, so much more clearly handsome than his own.
Yet Yuan never knew Sheng’s self, for with all his smiling courteous seeming openness, none ever knew Sheng well. He could give anywhere the gentlest words of praise and kindness, but though he spoke often and easily, yet what he said never told his inner thought. Sometimes he came to Yuan and said, “Let us go and see a picture today after school—there is a very good foreign picture at the Great World Theatre,” yet when they both had walked there together and sat three hours through and come away again, and though Yuan had liked being with his cousin, still when he thought of it he could not remember that Sheng had said anything. He only could remember in the dim theatre Sheng’s smiling face and his shining, strangely oval eyes. Only once Sheng said of Meng and his cause, “I am not one of them—I never shall be a revolutionist. I love my life too well, and I love only beauty. I am moved only by beauty. I have no wish to die in any cause. Some day I shall sail across the sea, and if it is more beautiful there than here, it may be I shall never come back again—how do I know? I have no wish to suffer for the common people. They are filthy and they smell of garlic. Let them die. Who will miss them?”
This he said in the most tranquil pleasantness while they sat in the gilded theatre and looked about upon the well-dressed men and women there, all eating cakes and nuts and smoking foreign cigarettes, and he might have been the voice of all of them speaking. Yet though Yuan liked his cousin very well, he could not but feel a coldness in him at the calmness of these words, “Let them die.” For Yuan still did hate death, and though at this time in his life the poor were not near him, he did not want them to die, nevertheless.
But these words of Sheng’s that day prompted Yuan to ask another time more concerning Meng. Meng and Yuan had not talked very often together, but they played on one side of the game of ball, and Yuan liked the fierceness of Meng’s thrust and leaping. Meng had the hardest tightest body of them all. Most of the young men were pale and slackly hung and they wore too many clothes they did not take off easily, so that they ran anyhow as children do, and fumbled at the ball, or threw it sidewise as a girl might, or kicked it mildly so that it rolled along the ground and stopped very soon. But Meng sprang at the ball as though it were his enemy and he kicked it with his hard leather-shod foot, and up it soared and came down with a great bound and flew up again, and all his body hardened at the play, and Yuan liked this as well as he liked Sheng’s beauty.
So one day he asked of Sheng, “How do you know Meng is a revolutionist?” and Sheng answered, “Because he tells me so. He has always told me something of what he does, and I am the only one he tells, I think. I live in a little fear for him, too, sometimes. I dare not tell my father or my mother, nor my eldest brother even, what he does, for I know they would accuse him, and he is so fiery and so angry in his nature that he would run away forever. He trusts me now and tells me very much and so I know what he is doing, although I know there are secrets that he will not tell, for he has taken some wild oath of patriotism, and he has cut his arm and let his blood and written down his oath in blood, I know.”
“And
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