A Good House by Bonnie Burnard

by October he was glad he’d hesitated.
    All his classes were huge. He hated that, the amphitheatres, the fact that not even the professors knew him by name. He and Murray ate lunch together between classes and they worked in the library, went to the odd Mustangs game, drank quietly at the Ceeps where they met but did not take up with several pretty, lively young women who were away from home for the first time too and game for almost anything anyone might propose.
    But now it was summer and he wanted someone, needed someone. After several weeks delivering feed, twice to the Elliot farm, he had phoned Sandra Elliot to ask her to go out to the Casino dance on Saturday night. Sandra was going into grade twelve with Daphne and he remembered her from high school, vaguely. He’d heard from Daphne that she had just broken up with some guy from Parkhill and he assumed correctly that they had worked all this out ahead of him, that his call was expected. Both times when he’d pulled into the yard with feed Sandra was just coming out of the house, as if by chance, and when he’d finished unloading she leaned against the truck to talk to him, turned and lifted her head quickly to make her dark red hair swing. She focused on him with big easy smiles, used her posture to make sure he was aware of her breasts, and bending to pet one of the dogs, offered little glimpses of very white cheek not quite hidden by short shorts.
    When he picked her up on the Saturday night, getting out of Margaret’s Pontiac to go inside and meet the mother, Sandra came down the stairs in a sundress her mother said she’d got an A for in Home Economics. It was dark red with a full skirt and thin straps which Sandra identified, when they were in the car on their way out to the lake, as spaghetti straps. Spaghetti straps required a strapless bra, she told him.
    Less than a year later, when they were finally finished with each other, Patrick guessed it was the irresistible weight of her breasts against those straps, that and nothing much else that had got him through the summer.
    The Casino sat high in the dunes above Lake Huron. It was large and square, cream stucco with a dark red roof. Downstairs there were slot machines on a gritty cement floor, not very clean washrooms, and long benches against the cement-block walls. There was a concession where swimmers and sunbathers could buy potato chips or Coppertone for their tans, and, beside it, a big pop cooler. You had to lift the lid and reach down through ice water for a bottle of Coke or Canada Dry or Orange Crush and more than once a kid who had just come in after hours and hours of playing in the afternoon sun stuck an arm down and promptly slumped to the gritty cement floor, out cold.
    Upstairs, the hardwood dance floor was surrounded by a wraparound balcony with shutters that could be dropped quickly if a storm came up off the lake. You could stand out there between dances and listen to the waves lapping on the sand and stare out over the shining water toward Michigan. Or you could look up at the stars and the moon in the dark sky above the water, at the clouds that threatened to obliterate the light as they drifted across it. Patrick had been coming out to the Casino dances since he was fifteen and he had never once been with a girl who didn’t like to do this, who didn’t soften looking out at the water or up at the sky.
    The band was always the same. They played mostly country and western with a few polkas and square dances thrown in, sometimes a jive. On a good night they could be talked into trying “Sixteen Tons” or “Moments to Remember” or “Blue Suede Shoes” or “Heartbreak Hotel.” There was no booze, not inside anyway, not that you could see.
    Patrick and Sandra recognized nearly everyone around them but they danced only together, oblivious to the people they would ordinarily dance with at least once or twice. And no one bothered them