Charlie said.
“What’s Oakland?”
“The Underworld.”
“Oakland is not the Underworld!” Mr. Fresh leapt to his feet; he was not a violent man, you really didn’t have to be when you were his size, but—
“The Tenderloin?” Charlie suggested.
“Don’t make me smack you. Neither of us wants that, do we, Mr. Asher?”
Charlie shook his head. “I’ve seen the ravens,” Charlie said, “but I haven’t heard any voices. What voices?”
“They talk to you when you’re on the street. Sometimes you’ll hear a voice coming out of a heating vent, a downspout, sometimes a storm drain. It’s them, all right. Female voices, taunting. I’ve gone years without hearing them, I’ll almost forget, then I’ll be going to pick up a vessel, and one will call to me. I used to phone the other merchants, ask them if they’d done something, but we stopped that right away.”
“Why?”
“Because that’s part of what we think brings them up. We’re not supposed to have any contact. It took us a while to figure that out. I had only found six of the merchants in the city back then, and we were having lunch once a week, talking about what we knew, comparing notes—that’s when we saw the first of the shades. In fact, just to be safe, this will be the last time that you and I have contact.” Mr. Fresh shrugged again and began to untie Charlie’s bonds, thinking: It all changed that day at the hospital. This guy has changed everything, and I’m sending him out like a lamb to the slaughter—or maybe he’s the one to do the slaughtering. This guy might be the one—
“Wait, I don’t know anything,” Charlie pleaded. “You can’t just send me out to do this without more background. What about my daughter? How do I know who to sell the souls to?” He was panicked and trying to ask all the questions before he was set free. “What are the numbers after the names? Do you get the names like that? How long do I have to do this before I can retire. Why are you always dressed in mint green?” As Mr. Fresh untied one ankle, Charlie was trying to tie the other back to the chair.
“My name,” said Mr. Fresh.
“Pardon?” Charlie stopped tying himself up.
“I dress in mint green because of my first name. It’s Minty.”
Charlie completely forgot what he was worried about. “Minty? Your name is Minty Fresh?”
Charlie appeared to be trying to stifle a sneeze, but then snorted an explosive laugh. Then ducked.
THE DRAGON, THE BEAR, AND THE FISH
I n the hallway of the third floor of Charlie’s building, a meeting was going on between the great powers of Asia: Mrs. Ling and Mrs. Korjev. Mrs. Ling, by holding Sophie, had the strategic advantage, while Mrs. Korjev, who was fully twice the size of Mrs. Ling, possessed the threat of massive retaliatory force. What they had in common, besides being widows and immigrants, was a deep love for little Sophie, a precarious grasp on the English language, and a passionate lack of confidence in Charlie Asher’s ability to raise his daughter alone.
“He is angry when he leave today. Like bear,” said Mrs. Korjev, who was possessed of an atavistic compulsion toward ursine simile.
“He say no poke,” said Mrs. Ling, who limited herself to English verbs in the present tense only, as a devotion to her Chan Buddhist beliefs, or so she claimed. “Who give poke to baby?”
“Pork is good for child. Make her grow strong,” said Mrs. Korjev, who then quickly added, “like bear.”
“He say it turn her into shih tzu. Shih tzu is dog. What kind father think little girl turn into dog?” Mrs. Ling was especially protective of little girls, as she had grown up in a
province
of
China
where each morning a man with a cart came around to collect the bodies of baby girls who had been born during the night and hurled into the street. She was lucky that her own mother had spirited her away to the fields and refused to come home until the new daughter was accepted as part of the
James Morrow
Yasmine Galenorn
Tiffany Reisz
Mercy Amare
Kelsey Charisma
Caragh M. O'brien
Kim Boykin
JC Emery
Ian Rankin
Kathi Daley