you didnât disappoint me. You have the look of a man who understands poetry.â
âTo most people I have the look of a drunken bum.â
âThese are people who are only looking at the surface.â
âThanks,â I said. âNow youâre going to tell me Iâm a beautiful human being on the inside.â
âDonât worry,â he said, grinning. âI wonât tell you that.â
âBecause you donât think itâs true?â
âWe all have redeeming qualities.â
âLiking poetry is a very small one.â
âI donât think so. It shows an inclination to examine more than meets the eye. It implies intelligence and a heightened sensitivity to the human condition. These are not small things.â
âBut they donât make a man good,â I said. âIâm sure you could find some celebrated psychopaths with all these redeeming qualities.â
âSuch is the nature of a redeeming quality.â
We looked at each other after that unexpected exchange to the point of uneasy silence. Then a waitress came to our table, a white girl in a loose purple shirt, braless, maybe more less. We
ordered a couple of beers and the menu. Marnier silenced the Australians to a nervous giggle by struggling past their table on his way to the toilet. Darleen farted, inadvertently, I assumed.
The beers arrived, cold in dimpled pint mugs. The waitress hovered.
âTu vas manger?â
she asked in an English accent.
âWeâd like to,â I replied in English.
âI thought you were Dutch, the height of you.â
âNot my brilliant French?â
She smiled and we knew we liked each other.
I took a gulp of the beer and ordered another instantly, and one for the waitress. She left and I took my first
pression
down to an inch from the bottom. I looked out across the beach, into the dark beyond the rim of light from the bar. The unseen ocean repeated itself against the shore. Jean-Luc Marnier was reading me easier than a kidâs nursery rhyme with pictures. Or was I still paranoid from last nightâs dope. He was seeing the same things I was seeing. The fishermanâs net. The crouching jungle. Mind you, there wasnât that much to look at. I calmed myself with the rest of the beer and blinked away the tears and the strain of having Carlo and Gio on my tail out there somewhere with Christ knows what in store. My second beer arrived.
âYou got a name?â the girl asked, startling me.
âBruce. You?â
âAdèle,â she said, âbut an English one. Iâd rather have that beer after Iâve finished if thatâs OK.â
âSure.â
âYou could join me if you like.â
âI...â
Marnier lowered himself into my vision. Adèle scooted off.
âDonât drink too much, Bruce. I need you to be sharp tonight.â
âWhat do I have to be sharp for? I donât want any more of your big surprises, especially ones requiring sharpness. Not tonight.â
âBig surprises? I donât remember any big surprises.â
âYou calling me at Michelâs last night.â
âA small coincidence.â
âWhat about the dramatic improvement in your health since last night?â
âI have good days and bad days.â
âAnd your breathing?â
âThe country air. Cotonou is very polluted now with all those mopeds ... and I gave up smoking.â
âTwenty-four hours ago.â
âSo, I act a little.â
âI noticed. Thatâs how we got the table.â
âA little bit of fun. I donât get so much these days,â he said. âSheâs attractive, no? The waitress?â
I still had Marnierâs money folded in its envelope in my pocket, untouched. I had a screaming need to slide it back across the table at him and go and drink beer with Adèle and sleep on a couch somewhere, but even I, with my brain of hot
M McInerney
J. S. Scott
Elizabeth Lee
Olivia Gaines
Craig Davidson
Sarah Ellis
Erik Scott de Bie
Kate Sedley
Lori Copeland
Ann Cook